Australian Women Writer’s Challenge 2019 – Complete!

Australian Women Writers Challenge badge for 2019, forest green background with black silhouette of a woman in a hat in a frock with an umbrella. White text overlaying with the title of the challenge.This is a challenge that I didn’t pay much attention to in the foreground, or keep on top of in any way. I tracked the books I read and that was pretty much it. Leaving it to the me of today to sort through, review and organise things so that I can submit this completion post! Dear me, please provide future you with a gift for 2020 and do *some* of this before the last minute. Please.

In any case, I read 19 books for the Australian Women Writers Challenge this year, and reviewed all of them – on Goodreads, because I just wasn’t up to doing reviews on my blog this year. Maybe next year, maybe I’ll continue on Goodreads – I would like to make a habit of reviewing things closer to when I read them as it’s easy to let that slide.

I love this challenge and I love that several years down the track, it still brings me new authors! The books I read for the challenge this year include:

In other reading news, a lot of these were also from Beat the Backlist challenge, and if you want to see what my best books for the year were, take a look at my shelf on Goodreads.

Review: The Coldest Girl in Coldtown by Holly Black

A pale skinned hand is shown palm forward, fingers slightly curled with a background of deep dark blue. The title 'The Coldest Girl in Coldtown' is shown on the wrist like a cursive tattoo.Review

Title: The Coldest Girl in Coldtown

Authors: Holly Black

Publisher and Year: Little Brown Books for Young Readers, 2013

Genre: urban fantasy, young adult, vampire fiction, horror

Blurb from Goodreads

Tana lives in a world where walled cities called Coldtowns exist. In them, quarantined monsters and humans mingle in a decadently bloody mix of predator and prey. The only problem is, once you pass through Coldtown’s gates, you can never leave.

One morning, after a perfectly ordinary party, Tana wakes up surrounded by corpses. The only other survivors of this massacre are her exasperatingly endearing ex-boyfriend, infected and on the edge, and a mysterious boy burdened with a terrible secret. Shaken and determined, Tana enters a race against the clock to save the three of them the only way she knows how: by going straight to the wicked, opulent heart of Coldtown itself.

‘The Coldest Girl in Coldtown’ is a wholly original story of rage and revenge, of guilt and horror, and of love and loathing from bestselling and acclaimed author Holly Black.

My Review

What I love about Holly Black’s fantasy is that she blends in the creepiest and horror drenched things into this deep and dark fantastical setting, that just shies away from the effect of the uncanny valley – except it’s poor comfort because in lots of ways this story seems almost plausible, almost possible. Holly Black gets me to read creepy more consistently than any other author because she goes for the thrill so to speak, rather than having me up all night afraid under my covers. Everything she writes is a little bit moreish and this book is no different.

I found Tana interesting, self deprecating but not obnoxiously so, she’s ordinary and recognises that there’s little reason she should be alive at all except… dumb luck and being opportunistic and improvising as she goes. It mostly works, except it doesn’t. She has a plan and she mostly sticks to it – even when it’s ill advised. When things go wrong, she makes a new plan and so on – I like that she’s rattled but moves forward anyway. She’s likeable and mostly tries to do the right thing – whatever that seems in the moment. Her moral compass isn’t skewed as such, but this story definitely shows that there are grey areas.

I also loved Gavriel – a knife edge character if ever there was one. Mysterious, deadly, adventurous and dangerously susceptible to the most basic of gestures – someone trying to help him out. I loved getting a sense of his history without being drowned too much in it, enough to understand, to get him to appreciate him in the modern world. I also loved his regard for Tana – it was never creepy, or inappropriate, he allowed the romance to develop but didn’t really start or encourage it, not until it was well and truly present for them. And it wasn’t like Tana was a silly teen falling for the sexy vampire – it was far more ordinary than that, an ordinary-ish girl falling for someone who operates outside the boundaries of what is ordinary or normal for most people, with a side of vampirism and immortality sure, but the actual building of the romance was completely normal. Refreshingly so.

I love that he was there for Tana in the end when she decides to try and forgo immortality and purge the infection by waiting it out. I love that he accepts her decision and promises to help her see it through, and because of his own past experiences and torture… he’s capable of doing that for her. It’s an odd and slightly horror tinged romantic gesture, but it is romantic all the same.

Nothing about this book or story is neat, but it is beautifully written and tells a vampire story that is both unique but also plays on my favourite elements of vampire fiction: the beautiful but deadly monsters, fascination with the essence of humanity, and romance. It brings something new to both YA, urban fantasy and vampire fiction, I really enjoyed this book and thought it was outstanding.

Reading Goals for 2018

Once again it’s time to talk about reading goals, this time for the year ahead. Reading is such a huge part of my life that I’m glad that it get specific focus in my rituals for the new year.  I’m refining and simplifying my goals from the outlandish goals I set out last year.

2017 was a year of comfort reading – there was so much going on and fluff was all I could handle. In lots of ways that’s still true, but I am also hoping that I feel resilient enough in myself again as the year progresses to read more outside my comfort zone, and challenge myself. That said, reading is my haven and one of the things I do for self-care and to take time for myself so I am going to continue in the same trend as last year and use these goals as things to reach for, but not beat myself with.

Overall reading goal

Orange-red banner image with picture of a book in white and the text 2018 Goodreads Reading ChallengeOnce again I’m using the Goodreads Reading Challenge to track this, and this year I’m aiming higher than previous years for 101 books. It’s ambitious, but I am hopeful that having finished my degree I’ll have more time and space for reading for fun. I’m really uncertain whether I can manage this many books in a year, especially going into my Grad Year for midwifery – but nothing ventured, nothing gained! I’m excited to try!

The other thing I’d like to revisit is going back to doing my series on Retro Fiction Reviews – reviews of books focusing on books by women, people of colour, and from a queer or otherwise diverse background, and that are 10 or more years older than the current publishing year. I didn’t get very far on this way back when I started it, but I’ve got more practice reviewing now so hopefully that stands me in good stead.

Australian Women Writers Challenge

Silhouette of a woman with an umbrella black on a rose background with text Australian Women Writers Challenge 2018Once again I’m throwing my hat into this challenge, I really love it and that it keeps me engaged with and reading new work by Australian writers, particularly women. This year I’m choosing my own level again and I’m going with my previous challenge of read and review 15 books.

In 2018 I’d really like to make sure they include some works by Indigenous and non-white authors, and works telling stories about diverse characters too. Hopefully I’ll be more successful with this – I earmarked a bunch of books last year already, so now to actually go forth and read them. I also want to finish reading through my Twelve Planets project if possible.

Bookclubs and Discussions

I also want to continue enjoying the challenges and discussions put forward by the Goodreads Reading Challenge book club, I really enjoy them and they prompt me to think of my TBR in different ways. Or to consider books I wouldn’t have otherwise considered. The year long challenge I’ve signed up for is the Clear the Shelves 2018 Challenge – my twist on it is that I’m focusing on clearing my TBR rather than not buying/acquiring books. My plan is to essentially follow the same guideline of reading 5 books on my TBR prior to 1st January 2018 for every book added on or after that date. There’s also buddy reads and monthly and quarterly challenges I’ll be participating in.

I didn’t get to do any real participation with the Vaginal Fantasy or Sword and Laser book clubs last year, but I’m hoping this year that will be more possible. Basically if the books look interesting to me I’ll join in, but it’s all bonus and nice to enjoy, rather than a specific imperative.

Bout of Books

Bout of Books button with determined woman in yellow looking tired and surrounded by books.I’m going to participate in Bout of Books 21! I enjoyed doing it in January last year and I’m excited to join in again. I had a lot of fun doing it last year and I could use something to get my reading momentum going and to distract me. If you’re interested in a fun, but low stress readathon with lots of participation interaction, this is a great one to join in with. Feel free to sign up on the Bout of Books blog if this sounds like your jam!

The Bout of Books read-a-thon is organized by Amanda Shofner and Kelly @ Reading the Paranormal. It is a week long read-a-thon that begins 12:01am Monday, January 8th and runs through Sunday, January 14th in whatever time zone you are in. Bout of Books is low-pressure. There are challenges, giveaways, and a grand prize, but all of these are completely optional. For all Bout of Books 21 information and updates, be sure to visit the Bout of Books blog. – From the Bout of Books team


Edited to add a new year long challenge!

Beat the Backlist

A pile of books with one opened and the text "Show your TBR who's boss. 2018 Reading Challenge"I only came across Beat the Backlist #beatthebacklist after I posted my reading goals for the year, but this particular challenge fall into line with another challenge I’m doing. Two methods of participation and accountability are better than one right? My pledge for clearing my TBR is 50 books in 2018 (40 ebook and 10 physical) – so I’m going to use this challenge to help me with that too. I’m also going to see how I go using my instagram @transcendancing to participate. This looks like heaps of fun! I’m not going to pledge to complete any of the other challenges, that will be a happy bonus if it happens. I’m already planning to do reviews of some kind for most of what I read anyway so these align directly with Beat the Backlist and I can piggy-back happily.

Review of 2017 reading goals

Back in January, I posted about my 2017 reading goals. Back then, 2017 was shiny and new and I was hopeful for a productive reading year and my goals reflected this. I also thought that the structure of my goals might mean I would keep a better handle on my reading in the final year of my degree. Hah! Maybe hindsight knows better, but it seems funny now in retrospect.

I should have kept my goals simpler and allowed myself more give and then anything else would have been a bonus. But, we live and learn and aiming high is never a bad thing, and I think sometimes not meeting goals is as important as meeting them – prioritisation and being able to respond to changing needs is also important.

I achieved the things that were within my general comfort reading zone but the things I’d wanted to help expand that I wasn’t so successful with. Given how much I struggled with this year, I can appreciate that expansion wasn’t on the cards this time. I’m content to acknowledge I set the goals, several didn’t happen, but I know that there’s room for improvement.

Overall reading goal and reviewing

Blue banner with text 2017 Reading Challenged with a book in white on in the centre. A red ribbon with 'completed' crosses the left hand top corner.I kept my overall reading goal at 75 books and I did meet that goal which I’m pleased about. Several were shorter reads again, but I priorised stuff I knew I’d enjoy and that really was important this year. And my comment about the goal being designed to work for me and not against me still stands – no beating myself with sticks. I met this goal and of all my reading goals it was the most important to me.

I also did continue to review books, although I’m quite behind on reviews that I want to do here on this site. But I did manage to mostly keep on top of those reviews I was happy to do on Goodreads alone which I’m happy with in this context. Especially given how busy this year was and how much it took out of me. I really did struggle to have any brain or concentration for reading at all at several points.

Australian Women Writers Challenge

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.This is one of my favourite challenges and one I’ve participated in for several years. In 2017 I pledged to read and review 15 books, and I didn’t make this goal, but I don’t think I did too badly as I read and reviewed 10 books over the year. Also several of those books were amongst my favourites that I read in 2017 which is fantastic!

I had hoped to read more books by Indigenous authors in 2017, but it didn’t happen. I had also hoped to discover additional authors who are new to me, but I think there was only one – Alis Franklin who was the author of Liesmith which was excellent. I wanted to read more queer stories and even perhaps a biography or memoir or two – specifically about midwifery in Australia, but I didn’t get to it. There’s always 2018 though!

Goodreads reading challenge book club

I really enjoy this bookclub, it’s incredibly busy and active with lots of different activities. I joined in and signed up to a bunch of the activities in the first part of the year and then it fell by the wayside toward the middle of the year. Still there was some success in this area.

I joined the Genre bingo challenge and read a bunch of books across several genres – about 12 in all, but I didn’t get any ‘bingos’. I joined the Modern Mrs Darcy challenge and was successful with this! I pledged to achieve 8 of the 12 tasks – kind of picking books according to qualities like the cover etc and I managed exactly 8.  The TBR randomiser challenge was the other main one I signed up for and I nominated for 10 books. I didn’t manage to read all 10 of them, but I did manage 2. I had wanted to join in with the buddy reads across the year, and signed up for January, but my co-reader dropped out of sight and I felt too busy to sign up afterwards.

Bout of Books, Read Diverse 2017 and other book clubs

Bout of Books button with determined woman in yellow looking tired and surrounded by books.I participated in my first ever Bout of Books and it was marvellous fun! I blogged several times throughout, but here’s my update post of my week participating – it was lots of fun and I loved all the twitter participation.

I wanted to participate in Read Diverse 2017 actively – it was one of the goals I had lots of feelings about, but the year just got out of hand and I couldn’t keep up with this and I was behind before I really even got started. I’m sad about that, but regardless of a shiny organised challenge, reading from diverse perspectives remains a key goal to expanding my reading comfort zone.

Other book clubs I’d been involved in included both Vaginal Fantasy and Sword and Laser book clubs, but I really didn’t follow anything they were reading over the year – I just didn’t have enough hours in the year or concentration available in my brain. I also wanted to follow along with the Magical Space Pussycats podcast, but they’ve also been on hiatus – I still want to continue with this if they become active again.

Finish my review challenge Journey Through the Twelve Planets

Image of a series of vertical book spines showing the twelve planet books in various colours. Header text white on transparent black overlies the image with the title 'A Journey Through the Twelve Planets'.I just didn’t get to this because the books published in this series are wonderful, and often confronting – many of them come under the genre of horror which I really struggle with. I still want to finish my reviews of the books, but the challenge itself wasn’t taken up as actively as Steph and I had hoped and so I’m happy to just quietly finish my reviews as she has done, in my own time. They are glorious books though and they’re well worth your time if you want an understanding of women writers in Australia in the past decade.

 

My favourite reads from 2017

2017 could easily be nicknamed the year of Tansy Rayner Roberts, because I read a bunch of her books and they all ended up on my ‘best of the year’ shelf on Goodreads. Compared with previous years, my favourites list is a lot shorter. Though that does make writing this post easier! I was finishing my degree in Midwifery in 2017 and because that was so demanding, mostly I read an immense amount of fluff. I regret nothing, it was what I needed. So understanding that what appealed to me was largely fluff, in no particular order here’s my best of list for last year:

Musketeer Space and the prequel novella Joyeux by Tansy Rayner Roberts

Three dapper figures, two women and a man with blue military jackets and rapiers leap in friendship in heroism, behind a darker skinned female protagonist with a space gun.I loved both of these books, they were filled with adventure, plotty political intrigue, friendship and found family and involved consistently strong character development so of course I fell in love with the characters right from the start. This gender-flipped retelling of The Three Musketeers is an excellent tribute, and space opera is a brilliant setting to do so. I can’t tell you much about this that sounds intelligent and well thought out because I’m just head over heels for it all. I loved it so much I think it will likely become one of my regular rereads (as in both of them, because why wouldn’t I? They’re both excellent)! A tree shaped by star lights with a black background and the title plus author textWhat Joyeux does slightly differently is introduce us to the original trio of musketeers, take liberties with festivals and the mayhem that can be caused around them, and set you up for the events that happen in Musketeer Space itself.  For all of you with goals of reading more space opera, reading more creatively gender flipped stories, more ladies in space who are awesome and diverse, this is an excellent choice.

 

Trade Me (Cyclone #1) by Courtney Milan

A burly muscled white man in a black shirt and jeans gently embraces a shorter Asian woman with long hair in a white tank top and jeans.

I’ve appreciated Courtney Milan‘s historical romances before, but this book is what got me interested in considering reading contemporary romance again. It was excellently written (of course), and the characters and their falling in love story won me over completely. Although the plot seems to be a simple ‘swap lives’ tale, the execution is masterful and the story is a lot of fun, and has some lovely depth in surrounding relationships as well. The characters live and breath, including the supporting characters which can be rare.

Binti and Home (Binti #1 and #2)  by Nnedi Okorafor

A dark covered book with a dark skinned woman painting her face with mudThese novellas are ones that I haven’t actually reviewed yet, (oops) but they were definitely among my favourite reads of 2017. Also it’s worth noting that Nnedi Okorafor is a favourite author, as so far I’ve loved everything of hers that she’s written. The first novella tells the story of Binti, the first from her family and from her people to go offworld to university. Tragedy befalls the trip and it changes Binti forever. A blue background, Binti a dark skinned woman stands centrally wearing blue with swirls/tentacles in dark blue in the background. The second novella tells of Binti’s return home after being at the university for some time, where Binti further uncovers the truth about herself, her family’s history and starts to confront ideas about her future. I have a pre-order for the third novella in this series and am counting down to it’s release (and will likely review all three at once properly then).

Beauty in Thorns by Kate Forsyth

A white pre-raphaelite style painting of a woman's face, from the nose down with sad lips pictured with a sepia sketch imprint of historical London behind the text.

I have been a fan of Kate Forsyth’s writing for many years, which meant that when she shifted to writing historical fiction and less fantasy I kept up with her work. Her historical fiction is lush, well researched and brings to light unexpected figures from history – often women featured in fairytales or art. Beauty in Thorns looks at a group of Pre-Raphaelite artists and their muses, telling the story of their romances and gives life to famous paintings that many of us admire today. Beauty in Thorns is not a typical retelling of Sleeping Beauty instead it is focused on how the characters in the story are taken with the fairytale and their inspiration from the story for creating art. It’s a beautiful novel that is thoughtfully written, the characters come to life and it’s easy to fall into the prose. If you enjoy historical fiction this is well worth your time, as are Forsyth’s other historical fiction novels.

The female protagonist with a hat, purple hair and glasses poses with her phone with the shadow of her famous reporter mother in the background.Girl Reporter by Tansy Rayner Roberts

This was one of my December reads and it’s getting a lot of attention – richly deserved! This novella is fantastic, bringing the reader back to the universe of Cookie Cutter Superhero (one of the excellent stories from the anthology Kaleidoscope a few years back). I love the Australian backdrop to the stories from this universe, it makes so much sense to me that it almost seems like a near-future alt-universe. I know that sounds like an oxymoron but I’m sure someone else who’s read these will agree with the sentiment – there’s so much about this universe that is true to life. I adore Friday’s character, she reminds me of my favourite Booktubers and her fannish delight over the superheroes is endearing. I love that she admires her mother but also struggles to feel taken seriously, I love the friendships and romance and the various interplay in this novella. It’s filled with snark, optimism, and is an awesome tribute to various fictional journalists such from Lois Lane of Superman to Lynda Day from Press Gang.

All Systems Red by Martha Wells

The figure of a faceless robot stands in the foreground, the shadow of other robots of the same design in the background, everything is in shades of grey save the red title text.

I resisted this early on because ‘murderbot’ does not immediately sell a book to me (although it does sell to most of my various friends on that basis). But once I was reassured of the relative fluffiness of the story I picked it up and am so glad I did! Wow! I love stories about AIs where they’re not ‘the bad guys’ and where they explore the notions of personhood in ways that make me think and also give me some kind of hope that AI sentience doesn’t immediately spell certain doom. Murderbot was adorable and I love that their focus was wanting to do their job efficiently enough so that they could go back to fannishly watching their favourite tv show. Martha Wells does an amazing job in storytelling because the plot in this novella really grabbed me, in addition to the light hearted moments, the significance of what happens in the novella (and I can’t say much because spoilers) was really well executed.  I can’t wait for further murderbot novellas, but I also want to read more of Wells’ work.

Sunvault: Stories of Solarpunk and Eco-Speculation, edited by Phoebe Wagner

Abstract art cover of a city surrounded by awater, also appearing to be growing with plant life underneath a sun.

This is another of the books I really need to review properly, and it deserves the time and effort involved because this was a stand out collection of short fiction. That will be one of my tasks in the coming weeks. I am much more interested in the eco-punk style of fiction than dystopias because generally there’s more optimism involved with a combination of building, fighting, growing and with a focus on change and transformation generally. That’s definitely true of this collection, and it also makes me think about various things in current society and directions we’re going, turning points we’re approaching, and ones that have passed as well. This is a book not just of stories, but of art and poetry, it’s beautifully curated and this tiny summary does not do the book justice – I highly recommend it.

A Tyranny of Queens (Manifold Worlds #2) by Foz Meadows

Two small figures in the foreground face a ruined building, with a castle in the distant background.This book is a follow up to An Accident of Stars which I enjoyed immensely last year, and I think overall it is a better book. It picks up not long after where the first book leaves off and it does something that few other portal fantasies tackle, namely the difficulty in coming home, the where have you been, why are you so changed, what’s wrong with you, etc. This is pretty traumatic for Saffron and I’m not surprised that she quickly wants to return to  Kena. Meadows writing in this novel is much more solid, everything flows more smoothly in the narrative. Once again I really enjoyed the insight into the characters and how they grew and changed. I also enjoyed the direction of the plot and how intricate it was. I am happy where this novel left things, but if there were to be more novels in this universe I’d love to read them.

Novellas from Sheep Might Fly by Tansy Rayner Roberts

A black and white image of a flying sheep with lots of textured detail in the wool and wings, the sheep looks peaceful.Last but not least on my list of favourites, includes the novellas that I listened to through Tansy’s podcast. These included Dance Princes Dance, which is one of the novels from the Castle Charming universe. Twelve Dancing Princesses was never so snarky or queer and filled with banter as this novella is, there’s so much to love and the underlying mystery that Tansy keeps tantalising the reader with continues to unfold. The Bromancers is the third novella in the Belladonna University universe and I swear I keep loving these characters more with every book! This novella features the band members running off to a music festival in the middle of a magical deadzone on the same weekend when a massively popular television show being followed by some of the band members airs their season finale. There’s also a body-swapping mystery, competitive hearth magic and the kind of friendship and relationship interaction that puts hearts in my eyes. There was also Did We Break the End of the World, a short story that was originally published in the anthology Defying Doomsday (also on my reading list, I’m so behind but I’ve heard that it is excellent) . This novella was so thoughtful and really considered survival post dystopia uniquely – scavenging and what is valuable and why, and to who. Also the gradual unfolding of the whole reason behind the end of the world – I don’t want to say too much, I’d be spoiling it and it’s way too good a story for that – go read it in Defying Doomsday or listen to it on the podcast, you won’t be sorry.

AWW17: Musketeer Space and Joyeux by Tansy Rayner Roberts

Three dapper figures, two women and a man with blue military jackets and rapiers leap in friendship in heroism, behind a darker skinned female protagonist with a space gun. A tree shaped by star lights with a black background and the title plus author text

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.ARC Review & Australian Women Writers Challenge 2017: Book #6 & #7

Title: Musketeer Space and Joyeux

Authors: Tansy Rayner Roberts

Publisher and Year: Tansy Rayner Roberts, 2014 (Musketeer Space) 2017 (Joyeux)

Genre: space opera, science fiction, romance

 

Musketeer Space blurb from Goodreads:

“I haven’t got a blade. I haven’t got a ship. I washed out of the Musketeers. If this is your idea of honour, put down the swords and I’ll take you on with my bare hands.” 

Dana D’Artagnan longs for a life of adventure as a Musketeer pilot in the Royal Fleet on Paris Satellite. When her dream crashes and burns, she gains a friendship she never expected, with three of the city’s most infamous sword-fighting scoundrels: the Musketeers known as Athos, Porthos and Aramis.

Even as a mecha grunt, Dana has a knack for getting into trouble. She pushes her way into a dangerous political conspiracy involving royal scandals, disguised spaceships, a tailor who keeps getting himself kidnapped, and a seductive spy with far too many secrets.

With the Solar System on the brink of war, Dana is given a chance to prove herself once and for all. But is it worth becoming a Musketeer if she has to sacrifice her friends along the way?

MUSKETEER SPACE is a gender-swapped, thoroughly bisexual space opera retelling of Alexandre Dumas’ classic novel The Three Musketeers, which was originally published as a weekly serial on the author’s website.

My Musketeer Space Review:

I’ve been meaning to read Musketeer Space for a long time, I am not a serial reader so I patiently waited for it to be available in ebook. And then I sat on it for a long time, because I realised I didn’t want to *finish it* and not have it to look forward to. And then I got to the last year of my midwifery degree, and it seemed like the ‘perfect’ time I’d been waiting for had arrived.  I felt haggard and overwhelmed, overwrought, and desperately needed comfort reading – and this delivered everything I needed and wanted at the time in plentitude.

I am unfamiliar with any of the original translations of The Three Musketeers, and I’ve really only seen the Disney movie version. But despite this I’m familiar with the high notes of the story and I loved the way that Tansy’s retelling used these, made them so familiar and yet, completely new. If ever there was a historical tale that was suited to being recast into space opera it’s this one – what a brilliant fit! Adventure, duelling, romance, political intrigue, war and danger at every turn, space battles! This book was glorious, I wholeheartedly loved it.

Meeting Dana was fantastic, I adored her from the outset! All ambition and shiny hope! Naivety and hunger for adventure! My heart went out to her as the reality of things crashed down around her, but also relished her learning curve and resilience, plus her determination. I also loved the friendship between the musketeers, I appreciated how well I got the sense of their longtime friendship and commitment to one another very early on. Plus, I thought the way in which they befriended Dana was very true to their personalities and made sense, I absolutely bought into it hook, line, and sinker and let myself be completely swept away in the story.

I loved the political intrigue and the way in which covert romance and politics, gendered and cultural played into the telling of the story. Tansy did a magnificent job in the complexity here, painting it into a space opera setting but retaining what elements needed to be familiar, and yet managing to create a new vision that was indulgent and entertaining for the reader. The unfolding of the plot was varied, I loved the way the pace differed depending on the tension and I loved that while it was very character driven, this was not at the expense of the plot or vice versa.

Every so often as a reader you have the rare opportunity to read a novel like Musketeer Space that truly speaks to you and moves you, a book that seems to give you every heart’s desire and fill you to the brim with emotion. Musketeer Space is a spectacular book and I can’t recommend it highly enough.

Joyeux blurb from Goodreads:

There’s mistletoe growing out of the walls, it’s snowing inside the space station, and a sex scandal is brewing that could bring down the monarchy. Must be Joyeux! 

Joyeux on Paris Satellite is a seven day festival of drunken bets, poor decision-making, religious contemplation and tinsel. But mostly, poor decision-making. Athos and Porthos aren’t going to sleep together. Aramis is breaking up with her girlfriend because it’s that or marry her. Athos is not ready to deal with the ghost of his ex-husband. Oh, and no one wants Prince Alek to break his marriage contract by hooking up with a sexy Ambassador… 

It’s down to the Musketeers and the Red Guard to save the space station and the solar system from disaster. So… that’s not going to end well. 

This novella is a festive prequel to Musketeer Space, a genderflipped space opera retelling of The Three Musketeers by Alexandre Dumas.

My Joyeux Review:

I saved this novella to read during the holiday season specifically so I could enjoy it’s festival gaiety at the same time that I was. I loved this adventure, it was short and sweet and I loved getting a sense of how the musketeers became so close. As in, even in this prequel story it’s well established that they are close and operate closely as a unit, but it also gives depth to that closeness and further layers the intimacy between them with the unexpected sharing of secrets.

Again, I loved that it was plotty, but still character driven – emotionally rewarding and entertaining. I loved the politics and the romance as always, and having this end just before the events of Musketeer Space felt awesome. This was a quick and joyful read, including all the best bits I enjoy about the holiday season and making fun of all the things that can be so annoying about this time of year. I adored it! You can read this as a standalone novella without having read Musketeer Space I think, but I also think that having read both that there’s definitely extra to be gained being familiar with both.

AWW17: The Opposite of Life by Narrelle M. Harris

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.Australian Women Writers Challenge 2017: Book #5

Title: The Opposite of Life

Authors: Narrelle M. Harris

Publisher and Year: Pulp Fiction Press, 2007

Genre: urban fantasy, crime, mystery, vampire fiction

A blue skinned woman with her hands about her shoulders faces front on with a serious express, the background is red rosesBlurb from Goodreads:

‘I remember screaming very loudly. In TV shows that’s where the ad break comes in, while some ninny is screaming her head off. No ad breaks in life, though.’

Lissa Wilson has seen more than enough death in her family, so when people start being savagely killed whenever she has a night out in Melbourne with her beautiful new boyfriend, she’s determined to investigate and to make the killing stop. Even when she realises the murders must be the work of a vampire.

Things had been looking up for this librarian and 21st century geekgirl, but the murders make her remember why she prefers books to people. People leave you. People can die.

She finds herself teaming up with the painfully awkward Gary to get to the undead heart of the matter. But there are more challenges in store than Gary’s appalling fashion sense. 

The idea of living forever can be a big temptation for someone who has lost so much….

“A well made plot with a killer (literally) ending.” Kerry Greenwood

My Review:

It took a while for me to settle into reading this – while I can slip into reading about US cities I’ve never been to easily, and I can buy into why they seem familiar, the familiarity of the Melbourne setting here threw me at first. That’s a good thing – it really *feels* like Melbourne and I just wasn’t expecting that.

I enjoyed the way in which Lissa and Gary came to hang out – although the whole  murder premise didn’t quite work for me in the setup, I could ignore that because I liked the working partnership and friendship between Lissa and Gary – and that’s really what makes this book. That and the fact that vampires are not nice exactly, but they’re not exactly flashy and dramatic either – they seem almost boring here, and I like that touch, having to pay bills, but not eat, and getting bored themselves a lot – but not the romantic melancholy bored that vampire fiction often writes, this is genuine ordinary being bored – and it’s hilarious.

This is a crime novel with a great friendship, it touches on horror (at least it was for me with the murders), and Harris brings something novel to the vampire fiction genre by making vampires a bit boring – in a good way, she takes the gloss off them, makes them less cool and it’s refreshing to read. This is also a great book if you’re missing Melbourne and want to be reminded of this gorgeous city.

AWW17: Liesmith by Alis Franklin

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.Australian Women Writers Challenge 2017: Book #4

Title: Liesmith (The Wyrd #1)

Authors: Alis Franklin

Publisher and Year: Hydra, 2014

Genre: urban fantasy, mythology, queer, romance

Black and white cover with dark-skinned protagonist in a hoodie with a magical looking staff in hand. Title of 'Liesmith' is in redBlurb from Goodreads:

At the intersection of the magical and the mundane, Alis Franklin’s thrilling debut novel reimagines mythology for a modern world—where gods and mortals walk side by side.
 
Working in low-level IT support for a company that’s the toast of the tech world, Sigmund Sussman finds himself content, if not particularly inspired. As compensation for telling people to restart their computer a few times a day, Sigmund earns enough disposable income to gorge on comics and has plenty of free time to devote to his gaming group.
 
Then in walks the new guy with the unpronounceable last name who immediately becomes IT’s most popular team member. Lain Laufeyjarson is charming and good-looking, with a story for any occasion; shy, awkward Sigmund is none of those things, which is why he finds it odd when Lain flirts with him. But Lain seems cool, even if he’s a little different—though Sigmund never suspects just how different he could be. After all, who would expect a Norse god to be doing server reboots?
 
As Sigmund gets to know his mysterious new boyfriend, fate—in the form of an ancient force known as the Wyrd—begins to reveal the threads that weave their lives together. Sigmund doesn’t have the first clue where this adventure will take him, but as Lain says, only fools mess with the Wyrd. Why? Because the Wyrd messes back.

My Review:

This is one of the books I read for the January #boutofbooks, and you can see how much the year got away from me by the fact that it’s now December when I’m writing up my review. Oops.

I loved this book, I am deeply attached to urban fantasy as a genre and I think this is one of the best I’ve read in recent years. I loved Sigmund as a character, he was an ordinary guy – an ordinary geek, with a job, hobbies, friends and an unexpected talent for being able to tell when people are lying. He was such a relatable character! I enjoyed both Wayne and Em’s characters and thought they were pretty well realised in the story as well – also something that can get overlooked in urban fantasy.

I love that Sigmund dismisses Lain when he first turns up to work at the same place, because it meant that it wasn’t ‘love at first sight’. This is a trope that’s overdone and to me often seems to be lazy storytelling and writing, when it’s done well I notice but overall I prefer no instant-love. This meant that as the reader I got to enjoy Lain and Sigmund getting to know one another, enjoy Sigmund’s realisation that Lain was flirting with him and liked him! It was delightful and I became so invested in their romance as I got to watch it slowly unfold!

I loved the linking in with the Norse mythology and Loki, the villain and how the story unfolded, and the twist involving Sigmund and how he links into the mythology. I honestly can’t gush about this book enough, this was such refreshing and original urban fantasy that effectively delivered on a lot of what is my favourite parts of the genre – romance, but it’s delightfully queer – and as a queer reader it reads authentically to me, I could imagine having coffee with Sigmund and Lain as a couple.  Then there’s the mythology mixed up in the modern world – honestly I can’t get enough of it, and Franklin does an excellent job playing with both here. Basically, I adored Liesmith and I am really excited to read the second book in the series Stormbringer.

AWW17: Girl Reporter by Tansy Rayner Roberts

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.ARC Review & Australian Women Writers Challenge 2017: Book #3

Title: Girl Reporter (Cookie Cutter Superhero-verse #2)

Authors: Tansy Rayner Roberts

Publisher and Year: Book Smugglers, 2017

Genre: superheroes, fantasy, young adult

 

The female protagonist with a hat, purple hair and glasses poses with her phone with the shadow of her famous reporter mother in the background. Blurb from Book Smugglers:

From the award-winning author of Cookie Cutter Superhero and Kid Dark Against the Machine comes a brand new novella about girl reporters, superheroes, and interdimensional travel

In a world of superheroes, supervillains, and a machine that can create them all, millennial vlogger and girl reporter Friday Valentina has no shortage of material to cover. Every lottery cycle, a new superhero is created and quite literally steps into the shoes of the hero before them–displacing the previous hero. While Fri may not be super-powered herself, she understands the power of legacy: her mother is none other than the infamous reporter Tina Valentina, renowned worldwide for her legendary interviews with the True Blue Aussie Beaut Superheroes and her tendency to go to extraordinary lengths to get her story.

This time, Tina Valentina may have ventured too far.

Alongside Australia’s greatest superheroes–including the powerful Astra, dazzling Solar, and The Dark in his full brooding glory–Friday will go to another dimension in the hopes of finding her mother, saving the day, maybe even getting the story of a lifetime out of the adventure. (And possibly a new girlfriend, too.)

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

When I first finished reading this and I was updating Goodreads, I posted the following review, promising to do a proper one later.

EEEEEEEEEEEEEEEEEEEEEEEEeeeeeeeeeeEEEEEEEEEEEE!!! THIS WAS JUST SO FANTASTIC AND AWESOME AND WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!!!!!!! Is the unfiltered glee-whimsy-gush from my brain just now. It’s perfect.

Now I’m writing said ‘proper’ review, but I also think that my initial delighted squeefest is relevant because that’s what makes this book so special. It is an unadulterated, whimsical novella with a protagonist who I fell in love with instantly. I adored Friday so much, not just because she was quirky and easily someone I’d like to be friends with, but also because she’s fully fledged and has flaws and doubts and struggles with things. I loved getting to see further into the universe of the superheroes that Tansy created, I’m delighted that we get to spend more time with Solar (from the original story featured in Kaleidescope) too.

This is a superhero story with a little bit of everything – the potential fate of the world hangs in the balance! Only a band of plucky volunteers can save the day! They run into mishaps and need support from an unlikely source! Complex relationships from friendships, family, and new-found romance. Not to mention a nice little interplay between the merits of journalism and how that’s changed over time – the rise of the vlog and the immediacy of engagement and feedback versus print media and formal publishing – I loved this part.

I’m also really into the novella format at the moment – I’ve been overloaded this year and it’s impacted on my reading, I’ve found a lot of satisfaction this year in reading novellas because they’re a length that doesn’t demand too much from me, either in time or brain power. Unlike short stories that I struggle with because there is often a lack of depth and satisfaction with the story, novellas have that extra space and seem to use it well (or at least this one and the others I’ve been enjoying have managed this). But it also doesn’t drag on, or weighted down.

I also think it’s worth sharing that of all the authors I’ve read this year, I probably owe getting through the year to Tansy, because her books have cushioned me from the stress of everything going on in my life. Girl Reporter is an excellent example of how excellent characters, emotionally satisfying interactions and relationships, as well as a fun and interesting plot come together and transport you to another world for a while. All things can be conquered,  if not without consequences. Bad experiences and situations are faced, there is progress, even success and always growth as characters learn and change. These elements are consistent in Tansy’s writing, especially in Girl Reporter and it’s an excellent novella.

If you’ve always admired Lois Lane, if you enjoy YouTube vloggers, if you think that the mediascape is ever-changing and are delighted by the possibilities, and if you love superheroes, queer romance, and characters that you want to make friends with, this is the book for you.

AWW17: Tyranny of Queens (The Manifold Worlds #2) by Foz Meadows

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.Australian Women Writers Challenge 2017: Book #1

Title: Tyranny of Queens (The Manifold Worlds #2)

Author: Foz Meadows

Publisher and Year:  Angry Robot, 2017

Genre: fantasy, epic fantasy, queer fiction, portal fantasy

Two small figures in the foreground face a ruined building, with a castle in the distant background.Blurb from Goodreads:

Saffron Coulter has returned from the fantasy kingdom of Kena. Threatened with a stay in psychiatric care, Saffron has to make a choice: to forget about Kena and fit back into the life she’s outgrown, or pit herself against everything she’s ever known and everyone she loves.

Meanwhile in Kena, Gwen is increasingly troubled by the absence of Leoden, cruel ruler of the kingdom, and his plans for the captive worldwalkers, while Yena, still in Veksh, must confront the deposed Kadeja. What is their endgame? Who can they trust? And what will happen when Leoden returns?

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review. This review is presented as part of my contribution to the Australian Women Writers Challenge 2017. I’m also reviewing this book as part of the Read Diverse Books 2017 challenge and it qualifies as both an #ownvoices read as well as having characters who identify under the LGBTIQA+ umbrella. 

I love Saffron as a character and I really loved the way this middle book unfolded, and also rarely for a second book, the story is self contained and I was really satisfied with where it ended – no cliffhanger. You could read this, be satisfied and not *have* to read the third book if you weren’t interested. That’s really unusual for a second book in a trilogy and it’s well worth appreciating.

Also, while I found the first book An Accident of Stars slightly clunky in the writing and every so often I’d be thrown out of the story, this time, Meadows’ writing was much cleaner in style and I could just sink into the story without any struggle. Not only was I not thrown out, I found it very hard to put the book down because of things like sleep, an excellent recommendation to a book as far as I’m concerned. It’s worth noting that this is the second book in a the trilogy and I don’t think it can be read without the first one. I do think that you could read the first and second book though and be content with that as an ending and not *need* to read book 3, but if you’ve read the first two and liked them, there’s no reason not to jump in. I certainly can’t wait for the third book, it will be one of my most anticipated releases, that’s for sure.

In Tyranny of Queens I found myself more compelled by the characters and their plot, and I felt that all of the characters who featured as protagonists demonstrated growth and new awareness of themselves, their world(s), their relationships and in relation to the overall plot. I especially thought that we got to see more of a relevant and connected side to Gwen this time, we found out previously that she was in a group marriage situation with a son, but this happened mostly off screen. While we don’t meet her partners, the warm relationship she experiences with her son is one of my favourite relationships in the book.

I also loved watching how Saffron’s relationship with Yena grows – although for most of the book this happens separately and somehow I  could always feel them connected. It’s a tiny thing but I really loved it. I appreciated how Yena was responsible for being a Sister and a Daughter in both chosen and forced ways and that this was complicated by her feelings about her self, her experiences and the time she has spent away from the culture she was trying to embed herself back into. Another aspect of characterisation and plotting I appreciated was the way both Kadeja and Leodan as villains and victims were both portrayed in sympathetic ways, ultimately responsible for their actions but very human in how their actions had come about. Leodan is perhaps the more forgivable of the two having been manipulated by Kadeja, but her own pain and compulsion are engaging as well.

I love the various voices in this book, like the first book, Tyranny of Queens there’s a lot of diversity to go around, different cultures, different relationship patterns, sexualities, genders, showing engaging characters who also have mental health and disabilities to consider, older and younger characters, lots of different power dynamics.  I love all of this, and feel like the inclusion and sharing of these aspects was a lot more organic than in the first book. For those who are looking for a place where they may find their experience represented this is a good place to look, and for those who shy away from reading about their experiences centred it’s worth noting that it’s central to this entire book. It’s worth noting that in the beginning of the book it took me a little to remember who everyone was, what they were doing and what they were about but this did give way to enjoyment very quickly.

Lastly, I’m not always someone who enjoys portal fantasy but lately there’s been some excellent examples and both An Accident of Stars and Tyranny of Queens both count. The world-building is epic, the politics are intricate and layered with meaning and consequences. The relationships are complex and compelling as are many of the characters in their own right. The plot arc had me wondering how it would be solved one way or another and I’m curious to see how that plays out in the next book given how neatly this book ended. I can’t say enough good things about it, one of my favourite books of 2017.

Review: Strange the Dreamer by Laini Taylor

Bright azure blue cover with gold text and golden outline of a mechanical dragonflyARC Review:

Title: Strange the Dreamer (Strange the Dreamer #1)

Authors: Laini Taylor

Publisher and Year: Hodder and Stoughton, 2017

Genre: fantasy

Blurb from Goodreads:

The dream chooses the dreamer, not the other way around – and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance to lose his dream forever.

What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving?

The answers await in Weep, but so do more mysteries – including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?

In this sweeping and breathtaking new novel by National Book Award finalist Laini Taylor, author of the New York Times bestselling ‘Daughter of Smoke & Bone’ trilogy, the shadow of the past is as real as the ghosts who haunt the citadel of murdered gods. Fall into a mythical world of dread and wonder, moths and nightmares, love and carnage.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

This was one of those books that I saw getting a lot of buzz, certainly the Booktubers I follow were very excited about it. And, who wouldn’t be with the gorgeous bright blue cover with gilded dragonfly? Even the gold and blue flecked cover was striking. It’s a book whose appearance begs you to pick it up and read it. And if that wasn’t enough, the blurb is fantastic and sucked me in. I’m new to Taylor’s work and I am really excited I got to read this book. What Taylor does here was really unique for me, there are certainly the trappings of epic fantasy but they’re used in really interesting ways.

I adored Lazlo’s character and enjoyed him as an unusual hero type, a dreamer where the story doesn’t really fit him but he’s there doing the best he can anyway. I loved his bookishness and his quiet dedication. I loved the whimsical fantasy of the world-building and the adventure, although honestly, Lazlo was one of the only characters I was attached to at all. Lazlo and Sarai, and I thought her short changed as a character. I struggled with the godspawn characters as the ‘them’ of the book entirely – they were too juxtaposed as both terrifying and dangerous and also helpless and trapped in a way that never really worked for me. Same with the band of experts gathered to attend the problem in the city of Weep, save the thief who took up the betting ring, they were unremarkable – I’d read much more of her story though.

That’s kind of where shine wears off for me, because although Lazlo was interesting and engaging. Although I empathised with Sarai’s empathy and loneliness, the story itself fell flat for me. I struggled with the plot, especially as it just seemed like there was so much more plot in the history of Weep than in the present, and it was horrific history and I found the way it was shared felt a bit wooden. I was told characters were traumatised and such, but I didn’t get that from the characters themselves. I also struggled with the romance between Lazlo and Sarai, I liked the premise but found the execution left me cold, I wanted more from them, more for them, and I find the ending of the book abhorrent. The interaction between all the characters save Lazlo and Sarai is flat and unsatisfying – it’s hard to care about what they’re doing and why.

The writing itself makes up for a lot here, it’s lyrical and paints such a beautiful picture while you’re reading that you don’t seem to mind the lack of substance. At least, that’s what I found for myself until I got to the end and I felt like I’d taken in so little for all the pages I’d read. Others have commented that they thought the pace a little slow in places and I’d also agree with that. I’m really glad I got to read this and my favourite part was how much of a whimsical dreamer Lazlo was, and that although he was happy in the depths of the library, he got to go on an adventure and explore the city of his dreams.

If you’ve enjoyed other works by Taylor, you’ll likely enjoy this book similarly. It’s a good read overall, though I’m left a little wanting – and not in the way you’d hope. It’s worth noting that there’s some heavy content in here, reference to rape and torture and forced pregnancy – it’s not gratuitous, but it’s there and I found it uncomfortable reading in the story – again it was part of the being told rather than finding out as the story unfolds more organically. Although I’ve had Taylor’s work recommended to  me several times, I’m not sure if I’m up for book 2 at this stage.

Review: Wanted & Wired by Vivien Jackson

A woman with long dark hair side holding a large gun on to the left of the cover, background is fiery orange sunset ARC Review:

Title: Wanted & Wired (Tethered #1)

Authors: Vivien Jackson

Publisher and Year: Sourcebooks Casablanca, 2017

Genre: science fiction, romance, dystopia, paranormal romance

Blurb from Goodreads:

A rip-roarin’ new snarky, sexy sci-fi paranormal romance series with the perfect balance of humor, heat, and heart. Now that Texas has seceded and the world is spiralling into chaos, good guys come in unlikely packages and love sprouts in the most inconvenient places…

Rogue scientist • technologically enhanced • deliciously attractive
Heron Farad should be dead. But technology has made him the man he is today. Now he heads a crew of uniquely skilled outsiders who fight to salvage what’s left of humanity: art, artefacts, books, ideas-sometimes even people. People like Mari Vallejo.

Gun for hire • Texan rebel • always hits her mark
Mari has been lusting after her mysterious handler for months. But when a by-the-book hit goes horribly sideways, she and Heron land on the universal most wanted list. Someone set them up. Desperate and on the run, they must trust each other to survive, while hiding devastating secrets. As their explosive chemistry heats up, it’s the perfect storm…

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

This book came along at a time this year when I needed something fun to read, something romantic, but still something decidedly science fiction. I loved the pacing of the story and fell in love with the characters. While the story was slow to start and clunky in places, there was plenty to keep me going.

I really wanted Heron and Mari to succeed in sorting out what had gone so wrong with their mission. I empathised with Mari’s desire to do the right thing by her father, even though that turned out to be a huge problem. I loved the technology and world-building, I loved Heron’s post-human and enhanced character and I loved the way that was discussed subtly throughout in relation to humanity and morals and choices and so on. I found Heron especially compelling as a character – but that’s not surprising as I have a big soft spot for characters that create found-family. I did love that Mari was included even if she didn’t know about it.

I love that Mari was complicated, she had issues with her history and memory, but also just with coping day-to-day, I appreciated that realism to her character – she’s great at what she does, but not infallible. I love how much she realises that she’s come to rely on Heron. I love the unfolding of their relationship and Mari being confronted with her own biases and the need to reevaluate them. The sexual tension between these two was excellent and I have a soft spot for sex scenes where the author has remembered that one party has extra tech to bring to the equation – I’m all for the misuse of science and technology for better sex. This was excellent in that regard.

Overall this was a really enjoyable book, I’m interested in the story ongoing and am hoping that future books will trend more toward science-fiction romance and less romance driven with a couple per book, I love the urban fantasy feel of this book, it’s clearly science  fiction but it has a lot of the elements that draw me to urban fantasy and I’m solidly hooked.

Review: Caraval by Stephanie Garber

A dark blue cover with white text, and a flourished font for the title Caraval. There is a multipointed star behind the title and it is surrounded by red artistic flourishes around the title and author name.ARC Review:

Title: Caraval (Caraval #1)

Authors: Stephanie Garber

Publisher and Year: Flatiron Books, 2017

Genre: fantasy, young adult, romance

Blurb from Goodreads:

Whatever you’ve heard about Caraval, it doesn’t compare to the reality. It’s more than just a game or a performance. It’s the closest you’ll ever find to magic in this world . . .

Welcome, welcome to Caraval―Stephanie Garber’s sweeping tale of two sisters who escape their ruthless father when they enter the dangerous intrigue of a legendary game.

Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over.

But this year, Scarlett’s long-dreamt of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.

Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But she nevertheless becomes enmeshed in a game of love, heartbreak, and magic with the other players in the game. And whether Caraval is real or not, she must find Tella before the five nights of the game are over, a dangerous domino effect of consequences is set off, and her sister disappears forever.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I thoroughly enjoyed Caraval, it was a face-paced read that was enjoyable in the way that you don’t notice how much you’ve read until you should have gone to sleep an hour ago.  I loved the set up of the story and the game of Caraval with the mystery of its game master Legend.  The magic and the worldbuilding were deeply interesting and honestly I wish I could have seen more of this – especially inside the game world itself. For five days of game there was a surprising lack of detail and richness to the experience within it.

The characterisation was all pretty solid although I thought the father’s character was a little two dimensional as a villain. I loved the two sisters, although I was disappointed that they didn’t share more page-time together and I thought that there was a bit more telling about them rather than showing – Tella was almost absent from the book although critical to the story itself which I thought was actually a bit of a shame – I couldn’t relish in her triumph because I barely knew her. Scarlett was contradictory but in a good way and I thought I had a good chance to get to know her, but I thought that she was a bit too easily led and naive for someone who was supposed to be aware of being manipulated, based on her background. I did really love Julian’s character, and he was one of the stand out characters for me, he was complicated and interesting, was a great foil for Scarlett without being lost in her and without doing anything that made my teeth hurt.

I enjoyed the resolution to the story quite a lot, I thought it was quite fitting and I thought that the fact that there was a rhyme and reason to how Scarlett and Tella ended up at the game at all was well plotted. I was bewildered by the random arrival of the fiance – that whole sub-storyline was a bit clunky for me and I don’t think it played out as well as it could have. I didn’t much care for the cliffhanger, but I am glad to know that there’s more story, it was definitely compelling and enjoyable enough that I’m overtly looking forward to the sequel. This is an interesting YA novel, it’s not a coming of age, but it is a stepping out into the world in a way for the first time, and Scarlett comes to know herself and what she wants for her life a bit more, out from under the thumb of her father and the certainty of her betrothal. I love that the relationship between the sisters is so important and underpins the whole story even if they didn’t share the pages as much as I’d have liked, and overall I’d have loved to see more of Tella. Congratulations to Garber on an excellent debut novel.

Review: Miranda and Caliban by Jacqueline Carey

A book cover with a dark background and darkened images, a dark skinned boy is embraced by a white skinned girl, there are feathered birds at the bottom of the image.ARC Review:

Title: Miranda and Caliban

Authors: Jacqueline Carey

Publisher and Year: Tor Books, 2017

Genre: fantasy, retellings, romance, literary fiction

Blurb from Goodreads:

Miranda is a lonely child. For as long as she can remember, she and her father have lived in isolation in the abandoned Moorish palace. There are chickens and goats, and a terrible wailing spirit trapped in a pine tree, but the elusive wild boy who spies on her from the crumbling walls and leaves gifts on their doorstep is the isle’s only other human inhabitant.

There are other memories, too: vague, dream-like memories of another time and another place. There are questions that Miranda dare not ask her stern and controlling father, who guards his secrets with zealous care: Who am I? Where did I come from? The wild boy Caliban is a lonely child, too; an orphan left to fend for himself at an early age, all language lost to him. When Caliban is summoned and bound into captivity by Miranda’s father as part of a grand experiment, he rages against his confinement; and yet he hungers for kindness and love.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

This book is a melding of Carey’s lush prose and the theatrics of Shakespeare. I can’t comment on this story as a retelling specifically, as I’m not familiar with The Tempest. However, I really enjoyed Miranda and Caliban, it was a very satisfying story to read. I read this over a couple of days and found the characters, the setting and the mystery compelling. I loved the romance that was woven throughout this story, Miranda’s toward life, and Caliban. Caliban, towards Miranda – to a fault. I was often perplexed by Prospero and I never really connected with him, but perhaps that was also part of the design, as his personality was to hold himself apart and aloof.

The story and its mystery were quite linear, there were no true surprises – one thing did really lead to another. I did not find this to be a bad thing, the story comes across as something to sink into first and foremost, not something to challenge or trick you. I loved the way Miranda and Caliban interacted with one another, both teaching and learning from the other. I loved the beauty of Caliban through Miranda’s eyes because at no point did it seem twee, it fit perfectly with Miranda’s character and her naivety.

I really appreciated the ending to this book. While I thought there was tragedy in the experience of lost love, I also thought Miranda’s pragmatic acceptance of her situation and role in the manipulations of her father was very satisfying and realistic. There is no great hero to sweep in and rescue anyone, it is a tale of what happened, to interesting characters, no rose coloured glasses but not gratuitously dramatic either.

This book stands alone and is a satisfying story to read for some gentle escapism, it is fantastical but not overly so and may be suitable for those who don’t ordinarily like fantasy in their stories.  This is not a particularly in depth review but I don’t think it’s required as what I am left with is the lingering satisfaction for a book I quite simply enjoyed.

Review: The Turn by Kim Harrison

Book cover with a grey forest background with a long haired brunette woman in a flowing red dress holding a rotting piece of fruit in her cupped hands that spills black down the front of the dress. ARC Review:

Title: The Turn (The Hollows #0.1)

Authors: Kim Harrison

Publisher and Year: Gallery Books, 2017

Genre: urban fantasy

Blurb from Goodreads:

Kim Harrison returns to her beloved Hollows series with The Turn, the official prequel to the series that will introduce fans and readers to a whole new side of Rachel Morgan’s world as they’ve never seen it before!

Can science save us when all else fails?

Trisk and her hated rival, Kalamack, have the same goal: save their species from extinction.

Death comes in the guise of hope when a genetically modified tomato created to feed the world combines with the government’s new tactical virus, giving it an unexpected host and a mode of transport. Plague takes the world, giving the paranormal species an uncomfortable choice to stay hidden and allow humanity to die, or to show themselves in a bid to save them.

Under accusations of scientific misconduct, Trisk and Kal flee across a plague torn United States to convince leaders of the major paranormal species to save their supposedly weaker kin, but not everyone thinks humanity should be saved.

Kal surreptitiously works against her as Trisk fights the prejudices of two societies to prove that not only does humanity have something to offer, but that long-accepted beliefs against women, dark magic, and humanity itself can turn to understanding; that when people are at their worst that the best show their true strength, and that love can hold the world together as a new balance is found.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I’ve long been a fan of Kim Harrison’s Hollows series and so the opportunity to read the prequel about how the whole Tomato plague got started, and how the Inderlanders came out into the open was fantastic! I had always wondered how events had happened, and this prequel answered many of my questions. I think a bunch of those questions remain unanswered but the book is a complete story in its own right and there’s no cliffhanger.

I really empathised with Trisk’s character and the frustration of sexism and classism depicted in the story’s 60s timeline. It pings immediately believable as an alternative history timeline, and yet I can also see how things evolved to Rachel’s time and how much and how little changed.

I was especially interested in the story of the pixies and that their struggle against extinction was so fraught! It’s such a change from Rachel’s time! I appreciated all the ways in which the historical story came alive for me and made sense in my understanding of how the series itself unfolds for Rachel, Ivy, Trent and Al.

Al remains one of my favourite characters in that hate to love kind of way, I definitely want to read more of his story. Kal is… wow, at once an interesting protagonist, who isn’t ‘all bad’ but he’s so caught up in himself, his position and privilege that what sympathy I had for him was always fleeting. His ruthlessness was horrifying to me and the only thing that bothers me about the outcome of things was that he actually still ends up coming out of it relatively unscathed, while Trisk loses most everything.

Prequels can often be disappointing, but The Turn manages to be a fully fledged story in its own right, there’s plenty of story to tell and while it ties strongly into the beginning and history behind the series of The Hollows taking place, you can read it as a stand alone fantasy novel just fine I think. That said, I do think those who’ve also read some of the series will love it more.

Favourite Books of 2016 (finally)!

I’m sorry it is two thirds the way through January and I am only just now getting to post my favourite books of 2016, but it’s been pretty busy lately, especially on the blog front so better late than never?  On my ‘Best of 2016′ Goodreads shelf, you can see that I 20 books that I rated as favourites for the year.

I am excited that this was a significant percentage of what I read overall, because it means I’ve got a good thing going on with picking books for myself that I’m really going to like. Because I keep liking them! Such a great problem to have, how to winnow down the list to a manageable blog post length for favourites? I will try and get this down to a list of 10. Ish.

I’ll do my best…  I should note that these are in no particular order, it is way too hard to rank things!

Every Heart a Doorway by Seanan McGuire

Every Heart a Doorway - coverWhat a glorious book, I am still gushing about it a year later and I can’t wait for the next novella in this universe. It’s short and sweet, the story is self contained but the universe itself fairly bursts from the pages. I loved this and wanted it for all of my past selves of 14, 18, 21, 25 and 30 years of age. It left me feeling okay about myself and my differences and the searching for myself and growing and changing.

I loved it so much. I loved it so much that I hunted for a physical copy for most of the year before caving and ordering it in specially, and it then took two months to arrive. It was worth it. My precious hard copy now sits in a place of pride on my bookshelves!

The Long Way to a Small Angry Planet and A Closed and Common Orbit by Becky Chambers

The Long Way to a Small Angry Planet - cover

So many people have raved about these books – and it was that excitement and overwhelming love that really persuaded me to read the first one. And I couldn’t put it down, and I almost went back to the beginning straight away once I finished them both to read them AGAIN. They were SO GOOD.

A Closed and Common Orbit - coverSpace opera that is optimistic, about friendship and found family, autonomy and personhood, getting along with the foibles of space  living and future technology possibilities and limitations. Galactic civilisation and politics, fast moving  and character driven with nicely framing plots, an array of alien cultures and an appreciation for celebrating that diversity within the pages. I want to read so many more books in this universe, I am so in love.

The Book of Phoenix by Nnedi Okorafor

Book of Phoenix - cover

This book was so powerful and that sense of power has stayed with me months after I read this book. I adore Okorafor’s writing style, it draws me in and I’m lost to the story, the characters and the emotional impact of what she’s writing about. In particular with this book, is emotional impact of it. There is such an incredible sense of anger, white hot and righteous, it is a driving anger that delivers the story without and leaves you gasping (for breath, for more – both).

The story is political and that is so relevant at this point, on a global scale where politically everything is so charged, so difficult and bewildering. I felt like I had the chance to become more in touch with my anger, less afraid of it in reading this book, which was definitely the most unexpected outcome, but deeply welcome. I loved this book and recommend it highly – I think it also stands alone as I haven’t read Who Fears Death which is the universe in which this story is set, and I didn’t notice any lack.

He, She and It by Marge Piercy

He, She and It - cover

Many friends have talked about how excellent Piercy’s writing is, and I wasn’t at all disappointed (except that it had taken me so long). This book is a classic and a master work (mistress work?) because it gives you everything. It’s climate change fiction, cyberpunk, science fiction, and has a literary and even historical bent to it. The characters are so fully realised and are complex with intricate relationships.

The book is as much about the relationships as it is personhood and I also appreciated the near-future it painted showing the life following the recovery after the breakdown of 21st century society, with the inherent threat of corporations and the importance of balance between individualisation and community and collective mindedness. This is a cautionary tale, but also one of relationships and the future imagined is so very plausible. I can’t recommend it highly enough. This book is what convinced me that I could still read and enjoy literary science fiction, it just takes the right story.

Rosemary and Rue by Seanan McGuire

A dark background showing an iron gate or fence with a police tape line in front of a dark headed white skinned figure looking moody.I haven’t reviewed this on my blog yet – ostensibly I am going to do the series as one post but I haven’t yet done that. I read this after reading Every Heart a Doorway by the same author, and realised that there was a whole urban fantasy series with an awesome female protagonist that I hadn’t yet read. And, that it was by an author who I’d fallen deeply in love with their writing and was intent on reading everything I could by them!

Toby is an awesome female protagonist, she is both fae and human and works as a kind of magically aware detective. There’s fae politics, human discovery, the overlapping of the human and magical worlds and it is magnificent. This series presses all of  my buttons for stories I love in a huge way, I devoured the books available in the series in a matter of days – there were less days than books. An unread addition to the series awaits me and I’m very tempted to reread the books before devouring this next one… we’ll see.

Ms Marvel (Volume 1) by G. Willow Wilson

A Muslim teenage girl centres the entire cover image, she's wearing a black shirt with a yellow lightning bolt of Ms Marvel and a scarf. Another one I haven’t reviewed here, but I loved this. I am new to reading graphic novels and this was definitely amongst my favourites I picked up in 2016 and was definitely part of what convinced me that I could absolutely get into and read graphic novels.

I loved Kamala and her story in how she becomes Ms Marvel, she’s both recognisable as being an ‘ordinary’ girl, but the story where she gains her super powers is so believable. She wrestles with how to use her powers, how to make it work with school and her other commitments. I appreciate that she gets advice on how to do this from an unexpected place, it was one of my favourite moments in the book actually.

I definitely want to read more of Kamala’s Ms Marvel story, it’s everything I could have hoped for in a graphic novel with a Muslim female protagonist. So excellent!

Lumberjanes (Volume 1) by Noelle Stevenson, Grace Ellis, Shannon Watters, and Brooke A. Allen

Background of a cabin/lodge in a lighthearted comic style with five girls hanging out together on the cover, all are different heights and sizes and appearances.I am fairly certain that my reaction to reading this graphic novel (my first in my exploring this story medium) which was to run around for the rest of the year exclaiming ‘Friendship to the max’ at the top of my voice is entirely reasonable. It also tells you how adorable and wonderful this graphic novel is, it’s pitched perfectly at a young adult audience and it’s filled with heartwarming adventures and explorations of friendship, responsibility (including saving the world) and growing up.

I just adore this series and I plan to own them when I can afford to buy the volumes. I read three or four of the volumes last year and loved each one just as much as the first one. Friendship to the max. There is nothing not to love about this from the story to the art and everything in between. I want to be these girls, I want to be a Lumberjane and have adventures. I am smitten!

Den of Wolves by Juliet Marillier

Den of Wolves - coverThis was a fitting conclusion to a trilogy that I loved from beginning to end. Every moment comes through note perfect for me in this series, and in this book as a conclusion. We see Blackthorn confronted by the changes in herself, and I appreciated that there was such a strong focus on how both Grim and Blackthorn have been changed since they escaped the prison together.

The story within the book stands alone, though this time I liked that it was Grim more in focus trying to solve the mystery rather than him supporting Blackthorn to solve things. The overhanging and unresolved major story arc is beautifully resolved, revenge gives way to justice and it is so satisfying.

Marillier is an incredible storyteller, her characters, worldbuilding and narratives are deeply compelling and satisfying. She is on my list of authors whom I just want to read everything, and one I consider a solid recommendation for fantasy as well. Epic fantasy can get so tired and tiresome, it’s hard to find something unique in the genre. I have found that Marillier manages to do this time and again.

Marked in Flesh by Anne Bishop

A stormy sky with lightning is the background with a red-haired woman with short hair and haunted eyes standing in the foreground looking worried.I’ve not reviewed this series on my blog before, but it’s highly likely I will do so as a post about the entire series at some stage. I love Anne Bishop’s fantasy, it’s dark and beautiful, sumptuous and emotionally engaging. The characters in this series are at once strange but always intriguing. I love that honour, friendship and found family are key components of the story and that emphasis is especially strong in this book. I love that humans are the minority in this story universe, that they exist at the sufferance of the Others, supernatural beings of all descriptions that tolerate the humans grudgingly for their small contributions to convenience and technology, although considered often more a threat than a benefit.

The metaphor is apt for the current state of the world where globally there is so little being collectively done to curb climate change and live more thoughtfully and less at odds with the Earth. It’s a tidy lesson in a dark fantasy novel, somewhat unexpected but definitely adds gravitas to the weight of the story – again, a cautionary tale. This book is all about what happens when caution has not been exercised and agreements and promises have been broken. I don’t want to spoil the series, but it’s all kinds of excellent.


That’s it, I’m drawing a line, I could just keep talking about the others I didn’t blog about here, but go look at my Goodreads shelf instead. I’ve kept this to 10 and I’m feeling pretty impressed that I managed that! This is just half of the books I thought were my favourites of last year, but hopefully they’re some of your favourites too. Or, if you think I should have given more love to one of the others on my shelf, let me know! I’ve loved all the favourite and best of posts from 2016 I’ve read so far, I’ve definitely added things to my to-read list and I hope this post does the same for you!

Review: Dusk or Dark or Dawn or Day by Seanan McGuire

Cover image with large text with the author and book title, the background is a golden soft glow horizon behind a field of golden corn. ARC Review:

Title: Dusk or Dark or Dawn or Day

Authors: Seanan McGuire

Publisher and Year:  Tor.com Publishing, 2017

Genre: urban fantasy, dark fantasy, novella

Blurb from Goodreads:

When her sister Patty died, Jenna blamed herself. When Jenna died, she blamed herself for that, too. Unfortunately Jenna died too soon. Living or dead, every soul is promised a certain amount of time, and when Jenna passed she found a heavy debt of time in her record. Unwilling to simply steal that time from the living, Jenna earns every day she leeches with volunteer work at a suicide prevention hotline.

But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I am a recent fan of McGuire’s work, but I fell hard for her writing, ideas and characters. Dusk or Dark or Dawn or Day is a unique novella, and though it deals with heavy topics around death and suicide, for me the novella was about time and our perceptions and appreciation of it. I find these topics difficult to read about myself, but despite this I did really enjoy the novella and appreciated it’s gentle narrative. The gentleness itself is worthy of mention I feel, and I think it softens the nature of the topics enough to read the story and connect with the characters and what’s happening.

Although Jenna is our protagonist, I found myself never really understanding her very well, or connecting much with her.  I feel like we only get to know her just enough for the story to be told but not enough to really understand her place in the landscape unlike with the other characters, which breathed for me on the page, ghost or not. In particular, Brenda stands out as the most interesting character in the book, her awareness of New York and being a witch – a corn witch, is so interesting. Her experience of the city is so interesting and I would love to read more of her story. I also really loved Delia, the landlady ghost who has just stayed and continues to care for the city and its inhabitants, I found the idea of ghosts like Delia very comforting, even as I found Jenna discomforting.

However, stories by Seanan McGuire are rarely comforting, they do dig in and make you wonder, make you think. That’s true of this novella, though it’s only a little over 100 pages. I have never been suicidal, and I have scant experience with losing loved ones to suicide but I acknowledge that it is a difficult topic and one that is probably not always engaged with well or respectfully. I don’t know whether it is useful or not useful that there is a continuation after suicide or death, that half the characters in the book are ghosts, it didn’t press any buttons for me in that way so I simply cannot say, I acknowledge my lack of experience in the area though and note that others have queried this.

While I cared about the arc of story about finding the ghosts and helping them, I didn’t much care that Jenna decided to move on and be reunited with her sister in the end. It was fine, expected even, but since Patty never features in the story very well herself, she’s always a memory on a pedestal, it didn’t resonate as deeply for me. But that’s in part because Jenna didn’t quite gel for me, which is odd given that the other non-protagonist characters did. I liked her well enough but… I wasn’t compelled to read her story for herself about herself. That did shift for me in the way the story resolved itself and Jenna moves on from being the girl who runs to being able to go home and face her past and fears, but it was  so late in the piece that it didn’t make enough a difference to my experience of Jenna as a character overall.

Time is the most interesting part of the world-building in this story, especially given the world presented is so close to the real world, you could blink and be uncertain whether it was real or not. The way in which ghosts interact with time and anchor places to time was interesting, and I loved that it wasn’t only human ghosts that were responsible for this. I loved the witches with their specific callings, and while it was clear that there was definite power involved, there were limitations and it was never flashy and over the top.

Dusk or Dark or Dawn or Day is a beautiful novella, and through the eyes of ghosts tells the story of time and coming to terms with your own personhood and weight in the world. It’s dark, but not creepy or out to scare you, and while it aims to discomfort the reader a little, it is deep and has a gentleness about it that balances this.

Review: Martians Abroad by Carrie Vaughn

A woman sits by a spaceship window with the glow of the Earth in silhouette visible. The title Martians Abroad is in orange, the author Carrie Vaughn's name is in white both in large letters at the bottom of the image.ARC Review:

Title: Martians Abroad

Authors: Carrie Vaughn

Publisher and Year:  Tor Books, 2017

Genre: science fiction, young adult

Available: January 17, 2017

 

Blurb from Goodreads:

A great new stand-alone science fiction novel from the author of the Kitty Norville series.

Polly Newton has one single-minded dream, to be a starship pilot and travel the galaxy. Her mother, the director of the Mars Colony, derails Polly’s plans when she sends Polly and her genius twin brother, Charles, to Galileo Academy on Earth—the one planet Polly has no desire to visit. Ever.

Homesick and cut off from her desired future, Polly cannot seem to fit into the constraints of life on Earth, unlike Charles, who deftly maneuvers around people and sees through their behavior to their true motives. Strange, unexplained, dangerous coincidences centered on their high-profile classmates begin piling up. Charles may be right—there’s more going on than would appear, and the stakes are high. With the help of Charles, Polly is determined to find the truth, no matter the cost.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I’m a fan of Carrie Vaughn’s urban fantasy series about Kitty Norville and I jumped at the chance to see her writing such a fun sounding science fiction story. Martians Abroad is fantastic from start to finish, the characters and story are engaging and the whole package is wonderfully entertaining – I couldn’t put it down.

I rarely start a review talking about world-building, but I think it’s worth remarking on here. I really like the future-Earth universe Vaughn has created. It was really believable – moving on from nations but not completely. Colonies on the moon and Mars and other places, and run by corporations with stakeholders. I really loved that we got to experience this world through the eyes of Polly who hasn’t been to Earth and hadn’t ever planned on it. It was a really unique view and it made me appreciate living on Earth myself in a lot of ways, open sky, water and space to spread out. There are tons of tiny details that have been included that made the universe real for me, plus it seems incredibly plausible to me that this kind of setup could happen in future.

Polly and Charles are great protagonists, twins but not really, siblings and very different from one another. I liked their friendship – it wasn’t an easy one but it was true to their characters and so was very real for me. I loved the character interaction at the Galileo school with all the other children – elitism persists even in the future, and the form in which it takes was not at all surprising. I also liked that there  wasn’t a strong romance vibe in this book, they’re teenagers and so there’s hints of it, but it never goes beyond what I’d expect of teens in that kind of setting – particularly Polly herself.

Polly is such a practical person, she’s seemingly fearless and unfazed by so many things – the kind of person to think that the things she does without thinking are things that anyone, or surely someone would do – but it’s consistently her. It’s not seen as ordinary but it’s also not the kind of thing that draws a magic-hero trope reaction either. The other teens are bewildered and grateful but don’t know what to make of Polly at all, her capability, competence and confidence show up in the kinds of areas where they’re lacking and they, even if the school doesn’t, recognise the value in what she brings to the table.

Another thing I appreciated was that even though there was school meanness, that it was qualified and that there were other things that happened and it wasn’t all about the trope of a misfit coming to fit in. In fact, by the end Polly still doesn’t exactly fit in and neither does Charles. But she makes friends and they stand by her, they share confidences and experiences together and the friendships grow from there in ways I really appreciated. The way in which there were obstacles to overcome and that they seemed contrived because they were was an awesome story element, I was quite impressed with how that came together in the end and with Charles’ decision to return to Mars. I was surprised by Polly’s intention to stay at Galileo, but I appreciated her optimism about getting through it and getting to become a pilot. I am glad that she did get some sense that she could access that career privilege based on how hard she’d worked and how selflessly she’d endeavoured to do ‘the right thing’ by others at the school.

This was a great, standalone science-fiction novel, it’s perfectly tuned as a Young Adult novel too. I love that it’s standalone, but the universe is so interesting and has such potential that I have a faint hope that there could be more standalone novels in the universe.  If you like science-fiction that is thoughtful, fun and has great characters in a fully-realised world then Martians Abroad by Carrie Vaughn is well worth your time.

Review: To Catch a Stolen Soul by R.L. Naquin

Female non-white protagonist with dark hair in profile on the right side of the book, looking over her shoulder. Background is turquoise/blue and the title text is in a highlighted blue. ARC Review:

Title: To Catch a Stolen Soul (Djnn Haven #1)

Authors: R.L. Naquin

Publisher and Year:  Carina Press, 2017

Genre: urban fantasy, mystery, friendship, found family,

 

Blurb from Goodreads:

Fans of the Monster Haven series by R.L. Naquin will love this beguiling spin-off, featuring a trapped djinn caught in a hot mess of lost souls, fast food and otherwordly murder.

Kam is a soul chaser for the Hidden Government, a much harder job now that the Hidden look like everyone else. Broke, out of magic and sick of playing waitress in a pirate-themed dive bar, Kam jumps at a chance for an out-of-town mission.

A reaper—and his loaded soul stone—have gone missing. The stone contains souls that might get permanently stuck if Kam doesn’t find it, like, yesterday. She tracks the reaper down to a food truck outside Kansas City, only to find a dead reaper and no soul stone in sight. Which means that someone who should be dead killed the reaper and is running around with a powerful magic item. Not good.

And apparently the killer is targeting food-ttruck owners that also happen to be Hidden. So the only thing to do is open her own truck and go undercover—goodbye Kam the Djinn, hello Mobile Food Entrepreneur—and hope that she and her new runaway friend won’t be the next targets…

 

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

This was one of the last books I read for 2016 and I really enjoyed it. Even though urban fantasy remains one of my favourite genres, it can get same-y very easily. I am new to Naquin’s work, but I’m definitely interested to read her other books because I absolutely enjoyed To Catch a Stolen Soul. This book brought me everything I want and like about urban fantasy, likeable heroine – who wasn’t ‘kick ass’ but knows how to stand on her own two feet. I love that she’s about doing good in her own way. I love how she makes space and safety for Ash, a runaway and that friendship and care forms one of the fundamental aspects of the book overall.

I thought the mystery was enough and not too much, although it was a little simplistic at times – there was a little mismatch between the fact that others had failed to solve the mystery and Kam was able to do so for me. But this is a minor niggle and didn’t take away from my overall enjoyment of the book.

I liked the world and the setup, I liked that there’s a bigger arc of story planned than what happened in this one book and I’m really interested to read more of Kam’s story. This was fun, amusing, fluffy urban fantasy with a mystery and if you like these kinds of books and characters, or you like books that are solid on building friendship and have a found family aspect then you’ll really enjoy this. What’s excellent about this book is that it gives you exactly what you want in a lighthearted urban fantasy, it’s not meant to be challenging and it’s quirky and with unique appeal without trying to hard to be different. It knows what you want and it gives it to you solid and you can trust it.

2017 Reading Goals

Time to talk about my reading goals for 2017! My plans are not dramatically different from past years, but I’m tweaking things to work better and trying to be ambitious in what I achieve. However, I am trying to be mindful of doing this in ways that are within reach given I’m heading into my final year of my midwifery degree. Reading is one of the things I do for self-care and stress relief – even when in semester I’ll still read for pleasure. I also find I get a bit stressed and lonely, so I’ve found that joining in with bookclubs and challenges can often be helpful for feeling connected and involved in social things, without having to use up a lot of energy to leave the house.

Overall Reading Goal

Blue banner image with picture of a book in white and the text Goodreads 2017 Reading ChallengeOnce again, 75 books seems to be the right length to aim for – I did do a little better than that in 2016, but some were shorter reads, plus it’s my final study year so I will probably be busier than previous years. Also, as with all goals this is something to aim for and give me a bit of a challenge to enjoy, it’s not about beating myself with sticks. I’m quite determined to maintain this outlook with all my goal-setting because it has to work for me, not against me.

Reviewing

In general I want to continue reading and reviewing, I am loving seeing the number of my reviews grow – both here and on Goodreads. Plus, I want to continue to review and promote new books when I can get advance copies, particularly for indie publishers.  Additionally, I am hoping to get back to doing some of my Retro Fiction Review Series for older books that could use a boost in attention. There are so many books being published that it’s easy for some great books to be overlooked and I’d like to draw some attention to ones I think deserve some more love. As far as the time frame for ‘retro’, I’m thinking books published prior to 2000.

Australian Women Writers Challenge 2017

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.This is the reading challenge that I’ve participated in the longest, and I love it as much now as the first time I got to join in. This year I’m pledging to read and review 15 books by Australian Women Writers. As part of that challenge I’m also trying to improve on the diversity in my reading to include women who are queer, Indigenous women and women from different cultural backgrounds and experiences to myself as a white Australian person.

This is a great challenge to take on because you can set your own level of participation. You can nominate to read and review, or if you don’t want to review that’s fine too! This year there is a specific focus on drawing attention to Australian Women Writers who come from diverse backgrounds, but also to raise the profile of some Classics by Australian women. There’s already quite a lot of excited discussion about this focus, with the nominal definition of ‘classic’ being written at least 30 years ago and being significant at the time it was published, or to have had a lasting profile/impact in Australia or a region. I’m not taking on the Classics focus for my challenge but as a long time fan of Elyne Mitchell’s Silver Brumby books, I am hoping lots of other people fall in love with these – and maybe I’ll pick up the subsequent books to reread, it’s been a long time and I’m probably overdue to reread.

Goodreads Reading Challenge

The main challenge has an active bookclub group that does a bunch of long and short, easy and difficult challenges, plus buddy reads and a gift exchange at the end of the year. I enjoyed participating in several buddy reads and challenges last year and am going to join in again. If you want to follow the things I’m doing, I’ll be tracking all the various challenges and so on in this forum post. I’m already doing a buddy read in January – we’re reading Sorcerer to the Crown by Zen Cho. I’ve also signed up for some year long challenges and a couple of first quarter challenges:

Bout of Books button with determined woman in yellow looking tired and surrounded by books.Bout of Books 18

For the first time ever I’m participating in the Bout of Books reading marathon – it’s an easy going challenge that is purely about encouraging you to read a bit more than you’d already planned that week. I like the tag line that says ‘I was planning to read this week anyway’ because, that’s true. And now this week I get to enjoy the company of a bunch of other people who are also participating – it’s rather lovely to be involved in all the twitter loveliness.  You can read my progress post for Bout of Books 18 where I’m keeping a record of what I’m reading, how much and also of the challenges I’ve participated in.

Banner with purple-pink rainbow art with flowers and flourishes and a book, tex treads Read Diverse 2017 where diverse is in rainbow colours.Read Diverse 2017

As part of my ongoing desire to improve on how diverse my reading is, particularly in intersectional ways where I’m privileged, I’m using this challenge to be a background reminder for me for the reading I was going to be doing anyway. Despite the name, it’s about reviewing and promoting works by marginalised authors as well as works that feature marginalised characters. Intersections with queerness and disability and whiteness, gender and a few other elements are the focus. I’m not going to lie, the art is definitely one of the reasons I was drawn to this particular challenge.  How pretty is the button?

Bookclubs

I still want to participate in some of the other bookclubs that I’ve enjoyed, like the Sword and Laser Bookclub, the Vaginal Fantasy Bookclub and I’ve also been participating in the readalong with the Magical Space Pussycats podcast. I’m also hoping that Tansy Rayner Roberts’ Inky Valkyrie bookclub gets up and running (if you were looking for an awesome patreon with excellent speculative fiction content to sponsor, her’s is a good one).

Finish the Journey Through the Twelve Planets Challenge

Image of a series of vertical book spines showing the twelve planet books in various colours. Header text white on transparent black overlies the image with the title 'A Journey Through the Twelve Planets'.Steph and I started this last year, we got half way through the year all on time and so on and then the mid-year just hit us both really hard. Plus, I was in the midst of a very busy semester and am not a horror reader at the best of times, so it took me a lot longer to get through Kaaron Warren’s Through Splintered Walls than I had anticipated, I expect Cracklescape by Margo Lanagan will be a similar story (but it will also be worth it I am certain). The aim is to finish the final six books in the challenge in 2017 and I am looking forward to it and that we’ve got the whole year to do it in.


That’s what I have so far, and hopefully I’ll exceed expectations in these goals I’ve taken on! I hope to report on how I’m tracking sometime around mid-year, but we’ll see how that goes (it’s a very busy time of the year for me study-wise so I may be dreaming that I’ll get the blogging time then).

 

 

Bout of Books 18 Update Post

Bout of Books button with determined woman in yellow looking tired and surrounded by books.I’m participating in Bout of Books 18, a reading marathon that is gentle and lovely. The aim is for you to try and read more than you would ordinarily, but to do so in a way that is enjoyable and not stressful for you. I’m completely on board for this! There are also challenges and prizes involved and part of the process is to track progress. I’ll be doing that for the entire week in this post and will update it accordingly each day.

If you wondered what the Bout of Books is:

The Bout of Books read-a-thon is organized by Amanda Shofner and Kelly @ Reading the Paranormal. It is a week long read-a-thon that begins 12:01am Monday, January 2nd and runs through Sunday, January 8th in whatever time zone you are in. Bout of Books is low-pressure. There are challenges, giveaways, and a grand prize, but all of these are completely optional. For all Bout of Books 18 information and updates, be sure to visit the Bout of Books blog. – From the Bout of Books team

My overall goal I’m aiming for is to read four books this week during the challenge. I’m loosely trying to read things that are already on my TBR list where possible, and as a bonus target books that might fit in with other challenges that I’m taking on (more on that in a later post).

Monday 2/1/17

Progress: Started reading Fangirl by Rainbow Rowell, made it about half way through. Delightful read and perfect to start off the 2017 reading year!

Challenge: Introduce Yourself #insixwords

Whimsy personified, midwife, feminist, avid reader.

Tuesday 3/1/17

Progress: I finished Fangirl by Rainbow Rowell today – definitely lives up to its reputation as being a book you can’t put down!

Challenge: 2017 in a Picture

I hinted a little about my 2017 goals in a following tweet, but I can’t say much because it will spoil my upcoming 2017 theme post. It’s safe to say that being on the verge, standing on the edge are key.

Wednesday 4/1/17

Progress: I got to 36% through Liesmith by Alis Franklin today, loving it so far!

Challenge: Book to Movie

Thursday 5/1/17

Progress: I finished Lisesmith by Alis Franklin last night and started Martians Abroad by Carrie Vaughn (an ARC I’m delighted by!) Still just in the beginning of that one, but it opens well.

Challenge: Book Spine Poetry

Friday 6/1/17

Progress: I continued with Martians Abroad by Carrie Vaughn, which I am really enjoying! I also started Sorcerer to the Crown by Zen Cho, which has an excellent beginning that hooks you in.

Challenge: If you like this, try this… I wish I’d had a chance to get to this challenge but I was absolutely flat out Friday and Saturday and didn’t get a chance at my laptop.

Saturday 7/1/17

Progress: I was super busy all day so I didn’t get much reading done at all. I did continue Martians Abroad by Carrie Vaughn which I continue to enjoy.

Challenge: Free day!

Sunday 8/1/17

Progress: Finished Martians Abroad by Carrie Vaughn and I absolutely loved it. Can’t wait to review it (I have a backlog of reviews to write up). I also started Dusk or Dark or Dawn or Day by Seanan McGuire, I love McGuire’s writing style so even though I’m just a few pages in, I’m really enjoying it so far.  I didn’t end up finishing my 4 books by the end – but I lost most of 2 days where I couldn’t read so I’m still pretty happy with 3 and a bit.

Challenge: Free day!

Australian Women Writers Challenge 2017 Pledge Post

Silhouette of a woman with an umbrella black on a blue background with text Australian Women Writers Challenge 2017.Once again I’m signing up for the Australian Women Writers Challenge! I love this challenge so much and have participated for several years. I have definitely been introduced to books I’d never have read otherwise, authors I’d not have discovered. This challenge has allowed me to read closer to home and appreciate the incredible talent we have here in Australia.

This yearn I’m making up my own challenge again, to read and review 15 books. I’d also like some of these to be from women with diverse backgrounds – queer women, Indigenous women, women who come from various cultural backgrounds. This is an area that in my overall reading I’m trying to improve on, mainly to do with being a white Australian person trying to own my biases and extend my reading outside my comfort zone.

As part of this challenge I’ll also be looking to finish the Journey Through the Twelve Planets project that I’ve been doing with Steph, there are 6 Australian women writer collections that still remain to be read.

If you’ve not come across this challenge before:

The AWW challenge was set up to help overcome gender bias in the reviewing of books by Australian women. The challenge encourages avid readers and book bloggers, male and female, living in or outside Australia, to read and review books by Australian women throughout the year. You don’t have to be a writer to sign up. You can choose to read and review, or read only. (Our guidelines for what makes a good review can be found here.)

Australian Women Writers Challenge 2016 Completion Post

Australian Women Writers Challenge 2016 BadgeHere we are on December 30, 2016 and I’m writing my completion post for the Australian Women Writer’s Challenge 2016 at the very last minute! In fact I only posted my last reviews yesterday… but oh was I productive! Turns out, I’ve read 17 books and reviewed them all (some here and some on Goodreads) by Australian Women Writers.

Books I reviewed here on my blog for the challenge include some of the Twelve Planets collection by Twelfth Planet Press which I was doing as a challenge with Stephanie of Forest of Books, but there were some others as well. Below is a complete list with handy links to the books I read and reviewed for the challenge this year.

2016 Books Read and Reviewed for the Australian Women Writers Challenge

Journey Through the Twelve Planets

Smaller image of a series of vertical book spines showing the twelve planet books in various colours. Header text white on transparent black overlies the image with the title 'A Journey Through the Twelve Planets'.Stephanie and I had hoped to complete this challenge in 2016, but the second half of the year hammered us and so we’ve still got 6 books to go. That said, this has been a very worthwhile challenge and we’ve enjoyed it a lot. In particular for myself, I’ve read authors I had been meaning to read for ages, and kinds of fiction that are outside my comfort zone – with good results.

Nightsiders by Sue Isle

Love and Romanpunk by Tansy Rayner Roberts

Thief of Lives by Lucy Sussex

Bad Power by Deborah Biancotti

Showtime by Narelle M. Harris

Through Splintered Walls by Kaaron Warren

Nightsiders - coverLove and Romanpunk - coverThief of Lies - cover

 

Bad Power - coverShowtime - coverThrough Splintered Walls - cover

 

 

 


Reviews at The Conversationalist

Who’s Afraid by Maria Lewis

Illuminae by Amie Kaufman and Jay Kristoff

An Accident of Stars by Foz Meadows

Den of Wolves by Juliet Marillier

Kid Dark Against the Machine by Tansy Rayner Roberts 

Who's Afraid - coverIlluminae - coverAn Accident of Stars - coverDen of Wolves - coverKid Dark Against the Machine - cover

 


Reviews on Goodreads

Fake Geek Girl by Tansy Rayner Roberts

Innocence Lost by Patty Jansen

Glass Slipper Scandal by Tansy Rayner Roberts

The Seduction of Lord Stone by Anna Campbell

Unmagical Boy Story by Tansy Rayner Roberts

Tempting Mr Townsend by Anna Campbell

Not bad overall! Not as well as I’d hoped to achieve, but I was over-ambitious anyway given that I am in the last third of my Midwifery degree. I’ll be keeping that in mind when setting goals for next year.

AWW16: Kid Dark Against the Machine by Tansy Rayner Roberts

Australian Women Writers Challenge 2016: Book #11

Australian Women Writers Challenge 2016 BadgeTitle: Kid Dark Against the Machine

Author: Tansy Rayner Roberts

Publisher and Year: Book Smugglers Publishing, 2016

Genre: fantasy, super heroes

 

 

Kid Dark Against the Machine - coverBlurb from Goodreads:

From the award-winning author of Cookie Cutter Superhero comes a brand new story about sidekicks, supervillains and saving the world

Back when he was called something else, Griff knew everything about superheroes, sidekicks and the mysterious machine responsible for creating them. Now, Griff is just an average guy, minding his own business. A volunteer handyman at the Boys Home—his former home—Griff spends his days clearing out gutters and building clubhouses for the orphans at the Home. Nothing heroic or remarkable about that, right?

But all of that changes when one of the Home kids starts having weird dreams about another Machine—an evil version that churns out supervillains. Griff remembers the call of the Machine, and reluctantly decides to help the kid on his mission.

And then they waltz back into Griff’s life. Those bloody heroes. Including him—The Dark—one of Australia’s mightiest and longest-running superheroes.

What’s a retired secret superhero sidekick to do?

 

My Review:

I’m an unashamed fan of Tansy’s writing and I absolutely could not resist a follow up story to Cookie Cutter Super Hero from Kaleidescope. I have to say that Kid Dark Against the Machine was a glorious follow up story in this universe. I loved it! Griff is a great character, he’s so likeable and relatable the moment you meet him – and you can absolutely see where he’s coming from as a child superhero trying to figure out what on earth to do with his life after.

I love the themes that this story explores, also in keeping with the original story. Superheroes and tropes used by them and in comics. While Cookie Cutter Super Hero introduced us to some of these criticisms, I really think that Kid Dark Against the Machine brought it home – I don’t think you can read this story (either of them really) and look at super heroes and comics the same way.

I loved that this story made super heroes accessible to me as a reader who is only occasionally interested in the superheroes and comics genre. I didn’t need ten years of back knowledge to understand what was going on, Tansy gave me everything I needed to appreciate every snarky moment and subversive twist in the story. I loved all the names of the heroes and the villains, I loved that the hero and villain processes for selection and being in the spotlight were so different. I loved that being a super hero wasn’t lauded, and that there was this narrative time given to the person and human left behind once the world has moved on to other super heroes.

Kid Dark Against the Machine is a fluffy story that tackles good versus evil in a whole new way – it tackles it in the cheesy fun way that comics do all the time, but it also tackles the assumptions that underpin the genre. Tansy manages this in a way that couldn’t be further from dry and boring, you get your pop culture, gender politics and child hero ethics lesson in a cute package that is over far too quickly.

I’m with all the others who are calling for a novel in this universe, it’s got so much to offer and I’d read it in a heartbeat. If you want a light read, but an intelligent one about super heroes and looking at what that might be really like underneath the surface, this story is definitely for you.

Review: He, She and It by Marge Piercy

He, She and It - coverARC Review:

Title: He, She and It

Authors: Marge Piercy

Publisher and Year:  Originally published 1991, this edition published by Ebury Digital, 2016.

Genre: science fiction, dystopia, feminist fiction,

 

Blurb from Goodreads:

In the middle of the twenty-first century, life as we know it has changed for all time. Shira Shipman’s marriage has broken up, and her young son has been taken from her by the corporation that runs her zone, so she has returned to Tikva, the Jewish town where she grew up. There, she is welcomed by Malkah, the brilliant grandmother who raised her, and meets an extraordinary man who is not a man at all, but a unique cyborg implanted with intelligence, emotions – and the ability to kill…

From the critically acclaimed author of Woman on the Edge of Time, comes another stunning novel of morality and courage. A Pygmallion tale for the modern age, this classic feminist speculative novel won the Arthur C Clark Award.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

He, She and It was a revelation to me, I’m so glad I got to read this and am so glad that somehow this book came to me exactly when I needed it. There is as much about this book that is literary as science fiction, to the benefit of the book and the story it tells. It has incredible depth and is written beautifully, with poignancy that I think is rare to find.

Relationships are central to this book, relationships of family, of parent and child, of community, of spousal partnership, of professional collaboration. Although many readers may centre on the romantic relationships portrayed in the book, these make sense only in the context of all the other relationships that are part of the tapestry of this book. They do not exist in a vacuum or in isolation from the rest of the story.

We follow Shira’s point of view as the dominant protagonist, although Yod and Malkah’s point of view features as well. The worldbuilding for this story is deft. We start with a picture of an enclave, such as we might imagine in any future science fiction city, perfectly coifed and artificial, everything manufactured – the suggestion of control and surveillance is everywhere. We are then introduced to the free city Tivkah, resisting the multi-corporations and having enough skill and leverage to hold onto tenuous freedom and the city’s prized democratic community. Upon losing custody of her son, Shira flees the multicorporate enclave she is employed by and returns to Tivkah, her childhood home. She takes up a position with the scientist Avram to assist him in the socialisation of his cyborg creation Yod.

I didn’t fall in love with Shira at first, and in fact it took me a very long time to warm up to her. Instead, I was drawn to Malkah, matriarch and storyteller, scientist and programmer with a formidable intellect. I took a long time to warm up to Yod too, but I think that is by design from Piercy – as Yod’s experience with personhood grows and expands, so to does the reader’s ability to recognise and appreciate Yod’s personhood. We are invited to mirror Shira’s experience in working with Yod and his socialisation, although her qualms are always situated as her own foibles, and not so much larger moral questions for the reader to ponder. Those questions come more from Yod himself, as he reads Mary Shelley’s Frankenstein.

The crux of the book is the creation of Yod, a cyborg. A story that parellels the creation of a golem in the 1800s. Both created to protect, but as weapons with innate violence in their nature. This is something both the golem Joseph and the cyborg Yod struggle with. My take on it is that this is profoundly to do with existing in the world, regardless of being a human person or not. You cannot erase lived experience, you cannot unlearn compassion or empathy readily – even if you did not come to then naturally and were created whole, as with golem Joseph and cyborg Yod.

I keep coming back to the richness of Tivkah as the locale surrounding the story. A community, built on socialism, collaboration, and fierce anarchic independence. Tivkah is a Jewish city, the days and rituals and experience of the inhabitants within centre the normalcy of their daily lives as Jewish people. This is given further depth by the story Malkah tells for Yod about Joseph the golem. When Nili, a cybernetically enhanced woman from once-Israel, now a dead zone joins them for a time in their city and helps them to defend it, further layers to women, surviving, climate change, resistance, feminism, family and purpose are revealed.

The resolution of this book is one I found deeply satisfying, although it wasn’t an ending as such. Instead it felt like a change, where the people whose lives I’d followed for some time were about to embark on a new era of their lives, but the chapter for this part was over and it was time to part. I valued that and it is a  significant part of the poignancy that I observed as part of the book. There is hope and optimism amidst the realism of living in a dystopia. But people live their lives, they do the best they can with what they have, they value the people and ideologies that are important to them. As do we all. Perhaps with less grace than those in the free city of Tivkah.

I had begun to think maybe I had lost the ability to appreciate deep books that you must read slowly, over a several days and sittings. This book is a compelling read, but it needs breaks – time to think between putting it down and picking it up. Life has to be lived in between reading pages, because it is a book that is about the everyday, about living life, the constraints and difficulties we all face – small and large. I learned in my reading of this book, that in depth, more demanding books are not lost to me, merely I must simply find the stories that are stories for  me – and not dwell so much on stories that other people loved and I did not.

He, She and It is profound and I firmly believe one that will yield much more upon rereading. I loved the abiding feminism in this book where there were so many female characters and relationships between women in all kinds of ways. Women performed all kinds of roles, from the familial and maternal, to great scientific works, piracy, and military defence. The breadth of capability, of choice and recognition of both was startling and wonderful to me. And this is why I don’t think that this is a book of romance, despite that it is one of the plot arcs that is used to contextualise so much of the story. It is like having a spine in the human body – our spine does not define us, but it is critical and unique. Complexities surrounding relationships between parent and child, family in general are also similarly critical to the telling of this story – they are not less important than romantic relationships.

I loved this book, I count it among those I loved best in my reading this year. Although first published in 1991, He, She and It tells as compelling and profound a story in 2016 as it did when it was first published. I cannot recommend this book highly enough to anyone who loves a really good science fiction novel. Unlike many dystopian stories, this book is not at all grim, there is no constant sense of doom. Instead, this book is about life, living and problem-solving as well as possible in a future where technology is rampant and equal parts the solution and the problem to the climate change-ravaged future portrayed.

AWW16: Den of Wolves (Blackthorn and Grim #3) by Juliet Marillier

Australian Women Writers Challenge 2016: Book #10

Australian Women Writers Challenge 2016 BadgeTitle: Den of Wolves (Blackthorn and Grim #3)

Author: Juliet Marillier

Publisher and Year: Roc, 2016

Genre: fantasy, historical fantasy

 

Den of Wolves - coverBlurb from Goodreads:

The “powerful and emotionally-charged” fantasy series from the author of the Sevenwaters novels continues, as Blackthorn and Grim face haunting secrets and old adversaries…

Feather bright and feather fine, None shall harm this child of mine…

Healer Blackthorn knows all too well the rules of her bond to the fey: seek no vengeance, help any who ask, do only good. But after the recent ordeal she and her companion, Grim, have suffered, she knows she cannot let go of her quest to bring justice to the man who ruined her life.

Despite her personal struggles, Blackthorn agrees to help the princess of Dalriada in taking care of a troubled young girl who has recently been brought to court, while Grim is sent to the girl’s home at Wolf Glen to aid her wealthy father with a strange task—repairing a broken-down house deep in the woods. It doesn’t take Grim long to realize that everything in Wolf Glen is not as it seems—the place is full of perilous secrets and deadly lies…

Back at Winterfalls, the evil touch of Blackthorn’s sworn enemy reopens old wounds and fuels her long-simmering passion for justice. With danger on two fronts, Blackthorn and Grim are faced with a heartbreaking choice—to stand once again by each other’s side or to fight their battles alone…

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

Den of Wolves is a superb conclusion to the Blackthorn and Grim trilogy. I have loved this series so much, it captivated me from the very beginning. I adore these characters, my heart has wept and broken with theirs, it has exalted with theirs and it has taken quiet joy in small things, justice and friendship as theirs has. I can’t be anything other than sentimental about this book, it was glorious. If you want a contained example of epic/high fantasy done well, this is an excellent example. Especially if you’re done with tired fantasy tropes of magical chosen one on a quest stories and so forth. Read this.

In particular, one of the things I loved most about these books is the consistent character development that the key protagonists Blackthorn and Grim went through. Some of their development they achieved through their relationship with one another, but they also developed independently of one another. The rich depth to these characters and their background stories, their reason for being, their reason for continuing on was compelling from the start, and no more so than this book. Blackthorn still wrestles daily with her geas where she cannot pursue vengeance for her family and the people she once spoke up for. Her discomfort with standing by idly while wrong continues to be perpetuated resonates with me. It takes Grim to remind her that rushing into vengeance that results only in futility and not in any change is pointless, and I value that too.

One of Blackthorn’s defining characteristics is her anger. Given my own discomfort with my anger, she is a fascinating character to explore this emotional experience with. Her anger changes over time, it is tempered but never decreases. It is leashed, but never far from the surface. It is clear that Blackthorn is at times consumed by her anger, that it controls her life rather than herself, but that too is part of the story and her learning. In Den of Wolves the shape of her anger has purpose, and though it is impatient and she battles with the need to do something, she also puts her anger to work doing what she can.

We finally see a conclusion to the overarching plot in this series with Den of Wolves. There is the culmination to Blackthorn’s quest for vengeance, but it occurs in a rather unusual way. It was such a satisfying vengeance, I felt like all the ways in which it needed to be fair were observed, all the ways in which acknowledgement of wrongs that could never be righted occurred, and that truly justice was done. There’s an idealism in how this book concluded, and thus how the series concluded that is especially attractive to me right now. This book and series are excellent for comfort reading if you need to know that everything will actually be okay, but that it will not be hand-waved away and the ending will matter.

Marillier is a very solid and satisfying author of fantasy, she never fails to deliver a book that is compelling, has depth, extols the virtues of kindness and makes you want to turn page after page, long after the hour of bedtime has come and gone. She is a favourite author of mine – and has been since I first picked up her books. I sincerely want to put this book and series in the hands of anyone who professes to appreciate fantasy. Den of Wolves is a magnificent conclusion to an outstanding series, and shows the brilliance of Marillier as an author.

 

AWW16: Through Splintered Walls (Twelve Planets #6) by Kaaron Warren

Australian Women Writers Challenge 2016: Book #9

Australian Women Writers Challenge 2016 BadgeTitle: Through Splintered Walls (Twelve Planets #6)

Author: Kaaron Warren

Publisher and Year: Twelfth Planet Press, 2012

Genre: speculative fiction, horror, Australian

 

Through Splintered Walls - coverBlurb from Goodreads:

From Bram Stoker Award nominated author Kaaron Warren, comes Book 6 in the Twelve Planets collection series.

Country road, city street, mountain, creek.

These are stories inspired by the beauty, the danger, the cruelty, emptiness, loneliness and perfection of the Australian landscape.

‘Every Warren story is a trip with no map.’ – Gemma Files

‘Her fiction shifts across genres smoothly and intelligently, never settling for the easy path… she doesn’t flinch.’ – Andrew Hook

‘As with most of the best horror writing … the power of Warren’s strongest stories comes from the mirror they hold up to our everyday practices and prejudices.’ – Ian McHugh.

 

My review:

This review is presented as part of my contribution to the Australian Women Writers Challenge 2016, and as part of the Journey Through the Twelve Planets Reading Challenge


I’ve been thinking about how to approach my review for this collection. It’s definitely one of the more challenging books I took on reading this year – it took me months to work up to it, quite a while to read through (because I am just not very good with horror at all), and then I’ve been sitting on trying to think how I review this book. It’s a masterful collection of horror stories. This is an excellent standard and example of non exploitative and non-gratuitous horror. The horror within these pages is all to real, all to accessible and relatable – that’s what makes it horrific.

I think I will talk about this book in two parts. I will talk about the first three short stories because they worked really well together as an introduction to Warren’s work. They were creepy and horrific but not so much that I worried about falling asleep at night. My heart went out to the protagonist in ‘Creek’, but the standout of these shorts for me was ‘Road’. It was equal parts creepy and caring but I really liked it.

To talk about ‘Sky’ wow… I don’t even know how. It’s an exceptional novella. I think it goes up there with one of my other reading experiences ‘Wives’ by Paul Haines as something I’m definitively glad to have read, but never want to revisit and might need a support group having now read it. Actually I found a lot of parallels in the reading of ‘Sky’ and ‘Wives’, the familiarity of an Australian cultural background to the story was very real to me – as was the way that setting was presented as a kind of innate horror in and of itself. Whether Warren intended it or not, the entire background of the protagonist, where he came from, his family, Canberra and the town of sky were all coded as horrific to me from the beginning. This novella was a like a slow boil of horror and scary.

That’s true of the last page which absolutely gutted me, and nailed home the depth of the horror involved and how slow-boiling that had been. I can still remember the description on the page, can recall the images that came to mind and the emotion that came with them and I’m *gutted* all over again. Congratulations to Warren because wow, that’s visceral and I’ll never forget it. (Late at night I wish I could!)

I think one of the things that really got to me about this book, and all the stories within it, was that at every point there seemed like there could be a turning point, and uplift in the story and I kept looking for it, kept hoping for it and there were nods to it, suggestions of it, but then especially with ‘Sky’ it never eventuated – and in such a way that really drove home the story and its horror. I think it is absolutely a testament to Warren’s skill that I kept looking and hoping and reaching, until the very last moment. At every point I was firmly within her grasp. Hooked.

I am not someone who ‘enjoys’ horror, but I think it is valuable to sometimes read outside my comfort zone and to challenge myself. Is it horror I don’t like, or merely some kinds of horror. Okay, so it’s horror in general, but sometimes it’s worth it anyway. I think that’s where I am at so far – and that’s part of my experiment in reading these collections is that several of them include stories that are embedded in the horror genre, it is a chance to explore my experience of the genre without traumatising  myself too badly in the process. Also, since each collection is so far of outstanding quality, i can rely on the curation of the stories to be worth my time to try out in my exploration and that counts for a lot with me too.

If  you are someone who wonders if you hate all horror stories or if there is more to the genre for you, I highly recommend this collection. If you are already a fan of horror – particularly the insidious kind that seems all too plausible and normal, then this is also for you. ‘Through Splintered Walls’ is creepy and disturbing and scary. It’s brilliantly written. I’m so glad I read it, even if I now need a support group.

 

Review: Thorn by Intisar Khanani

Thorn - coverReview:

Title: Thorn

Authors: Intisar Khanani

Publisher and Year:  Self published, 2014

Genre: fantasy, epic fantasy, romance

Blurb from Goodreads:

For Princess Alyrra, choice is a luxury she’s never had … until she’s betrayed.

Princess Alyrra has never enjoyed the security or power of her rank. Between her family’s cruelty and the court’s contempt, she has spent her life in the shadows. Forced to marry a powerful foreign prince, Alyrra embarks on a journey to meet her betrothed with little hope for a better future.

But powerful men have powerful enemies–and now, so does Alyrra. Betrayed during a magical attack, her identity is switched with another woman’s, giving Alyrra the first choice she’s ever had: to start a new life for herself or fight for a prince she’s never met. But Alyrra soon finds that Prince Kestrin is not at all what she expected. While walking away will cost Kestrin his life, returning to the court may cost Alyrra her own. As Alyrra is coming to realize, sometime the hardest choice means learning to trust herself.

 

My Review:

I fell into this book and devoured it pretty much in one sitting. I then bought all the other novels available by Intisar Khanani. This was excellent, the kind of fantasy story that is highly enjoyable, beautifully written and extremely rewarding to read. I’m not familiar with the fairytale that this retelling is based, but it definitely has a fairytale feel about the story that I appreciated.

I loved the way Alyrra navigated her circumstances and I absolutely love that there was no ‘instantaneous love connection’. Instead, Alyrra and Kestrin although they are intended to marry are divided by magic and their ability to even get to know one another is hampered. Where in other stories Alyrra’s inherent goodness might have seemed a little two dimensional, here her ability to cope with the changes in her circumstances are true to her character and growing up experiences. Although she has had an abusive upbringing, Alyrra herself is not broken, but does realistically demonstrate traits that show her mistrust and the effect her past has had on her.

Although Falada’s character is the most fanciful in the story, I love horses in fantasy stories and so I was wholeheartedly willing to go with it, and I am glad that Alyrra got to have a friend while she was finding her feet as a goose girl. I liked that Falada wasn’t omnipotent, or overpowered but merely another sentient race – magical to be sure, but bound by realities that meant Alyrra’s own future was in her hands. I loved that this was consistently reinforced to her. And more than that, I love the way that Alyrra was happy to consider giving up on being a Princess all together, and embracing her change in circumstance as a chance to start anew and have a life she though she would like better. I appreciated the emphasis of being royalty and the duty involved in that position – whether one wants it or not.

I also liked the way Khanani explored differing power relationships and consequences of privilege between Alyrra as the goose girl and Kestrin as the prince. It’s very obvious that he comes from the mindset that he doesn’t intend harm and wants to find the truth and so he is in the right, no matter what difficulty it may cause Alyrra. I also loved the exploration of conceptions of justice in the book – the King’s justice versus the Thieves justice – similar in that they have limited reach to a specific area of the population, but different in terms of flexibility and willingness to follow through on holding people to account.

For me the ending was a little rushed and I would have liked to see that fleshed out a little more, the encounter between Alyrra and the witch, their return and the consequences of that. However, I was also immediately sad that I couldn’t read on to see what happened next – I do hope there are more books in this universe at some stage. I loved that this story was about growing up, coming into one’s self, and exploring ideas of belonging, justice, and family. It was a delight to read, I highly recommend it for reading.

Review: A Closed and Common Orbit (Wayfarers #2) by Becky Chambers

A Closed and Common Orbit - coverARC Review:

Title: A Closed and Common Orbit (Wayfarers #2)

Authors: Becky Chambers

Publisher and Year:  Harper Voyager, 2016

Genre: space opera, science fiction

 

Blurb from Goodreads:

Lovelace was once merely a ship’s artificial intelligence. When she wakes up in an new body, following a total system shut-down and reboot, she has no memory of what came before. As Lovelace learns to negotiate the universe and discover who she is, she makes friends with Pepper, an excitable engineer, who’s determined to help her learn and grow.

Together, Pepper and Lovey will discover that no matter how vast space is, two people can fill it together.

The Long Way to a Small, Angry Planet introduced readers to the incredible world of Rosemary Harper, a young woman with a restless soul and secrets to keep. When she joined the crew of the Wayfarer, an intergalactic ship, she got more than she bargained for – and learned to live with, and love, her rag-tag collection of crewmates.

A Closed and Common Orbit is the stand-alone sequel to Becky Chambers’ beloved debut novel The Long Way to a Small, Angry Planet and is perfect for fans of Firefly, Joss Whedon, Mass Effect and Star Wars.

 

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

A Closed and Common Orbit is an incredible follow up to the standout A Long Way to a Small Angry Planet and Chambers has outdone herself in bringing to life a whole new set of characters. They’re familiar faces, but the story has shifted away from the crew of the Wayfarer and now we follow the journey of Pepper and AI Sidra – formerly known as Lovelace. One of the aspects of this novel that I appreciated most right from the beginning was the emphasis on names and their importance to an individual in how they express themselves. Names have history, they have a loadedness, they can be given, applied, attached, chosen, searched for, and I imagine they could even be grown. Here there’s no ceremony or poignancy around our AI protagonist choosing her name – it’s a necessity and aside from a comment from Pepper about names having weight and importance and that it would be nice to have more time, it’s not really possible and one must be chosen. And so we meet Sidra, almost as she starts to meet herself really.

The story of Sidra is one where an AI protagonist comes to terms with being in a body that doesn’t feel like her own, in a story and a narrative that she’s expected to build, but which she feels at odds with. And yet, despite the ways in which her inherently technological nature is reinforced, so to is her sentience. She struggles with some of the aspects of self-determination, and embraces others and I truly think that the writing of this kind of AI body is one of the best I’ve seen in that it tackles some of the ways in which plonking an AI into a humanesque body isn’t a like to like transition. Instead, overlays of memories and associations, textures, and sensations are used as associations with stimulus that Sidra comes across – particularly when eating or drinking. It’s a great touch.

I love the way that even as we explore Sidra coming-of-age we also look back into Pepper’s history, including how she met Blue. And here, once again Chambers gives us the depth of a story that is at its core optimistic, but where there is depth, and consequence – bad things happen and they must be acknowledged and dealt with in some way. Giving Sidra space and opportunity to explore her future is in some way Pepper’s way of coming to terms with her own past and it’s a lovely  narrative circle, we immediately identify with the nobility of Pepper’s aims, and our hearts weep with her in how confronted she is by this as well, searching for her own long lost AI companion.

There is so much to love about this book, and it’s similar in what was there to love in the first book. Stories of found and chosen family, of friendship and relationships that are negotiated and complex. Within the story there is queerness and differences in gender identity explored, but it’s not trite or token, but built into the story and character interactions without also ever being ‘the point’ of the character to be ‘the genderqueer one’ – it’s simply one personality trait amongst many inherent to the character, and this is true of the others as well. It’s warm and refreshing and it means I can see myself in the story – even if I’m not explicitly there, I’d fit, I’d make sense, I wouldn’t be the villain, nor outcast necessarily and that’s always a win for me. There’s spaceships and video games, virtual reality, storytelling, tech and hacking, politics and cultural differences between groups of sentients. There is so much scope in this universe that Chambers has created and I can’t imagine a book in this universe that I wouldn’t jump at the chance to read.

If you enjoy space opera, particularly with an optimistic view, you will enjoy this. If you enjoy books with heartwarming characters you can fall in love with and feel bereft without, you will enjoy this. If you want a coming-of-age story with a difference, with sentient AIs and everyday-heroes then you’ll enjoy this. The writing is delightful, I read this voraciously and loved every second. The book came to life for me and I want to reread it again already – it’s incredible and again, one of the best books I’ve read this year.

Review: The Long Way to a Small Angry Planet (Wayfarers #1) by Becky Chambers

The Long Way to a Small Angry Planet - coverReview:

Title: The Long Way to a Small Angry Planet (Wayfarers #1)

Authors: Becky Chambers

Publisher and Year:  Hodder and Staughton, 2015 (Originally published through Createspace Independent in 2014)

Genre: space opera, science fiction

Blurb from Goodreads:

When Rosemary Harper joins the crew of the Wayfarer, she isn’t expecting much. The Wayfarer, a patched-up ship that’s seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.

But Rosemary gets more than she bargained for with theWayfarer. The crew is a mishmash of species and personalities, from Sissix, the friendly reptillian pilot, to Kizzy and Jenks, the constantly sparring engineers who keep the ship running. Life on board is chaotic, but more or less peaceful – exactly what Rosemary wants.

Until the crew are offered the job of a lifetime: the chance to build a hyperspace tunnel to a distant planet. They’ll earn enough money to live comfortably for years… if they survive the long trip through war-torn interstellar space without endangering any of the fragile alliances that keep the galaxy peaceful.

But Rosemary isn’t the only person on board with secrets to hide, and the crew will soon discover that space may be vast, but spaceships are very small indeed.

 

My Review:

The Long Way to a Small Angry Planet is without question one of the best books I’ve read this year, and I am sad that it took me so long to get to it. Optimistic space opera, space ships, friendship, found family, a wonderful array of characters I fell in love with immediately and the most interesting take on wormhole construction yet.

This book hits almost every button I think I have for stories that make me fall in love instantly. I got galactic civilisations, thoughtful interesting alien cultures which were neither tokenised nor stereotyped. Space travel and flight really involved the travelling part and that was an excellent part of the story narrative. I loved that I got a sense of what it was like to be part of a crew on a ship where there could be many weeks between docking into ports and what that looks like in terms of interpersonal skills and ship management. Oh, the emotional intelligence work involved here it was just gorgeous! I’m all a-swoon about it.

Rosemary is our main point of view character and she’s initially quite a mystery, she withholds so much of herself that you almost risk not liking her, and then it all kind of comes tumbling out and instead you want to make her a cup of tea and make friends. I loved the interactions between the other crew members and each other, especially resolving conflicts, of which there is a major one and it was particularly satisfying in how that eventuated.

I loved the way that bad things happen, there is injustice, corruption, greed, and struggling, but that this is handled deftly by the author and that there is the feelgood emotional payoff in resolution or simply in acknowledging the reality and letting it be there – without making it worse or hammering it in such a way that leaves me raw. There’s a realism in the way it’s presented that I value, but it’s not out to traumatise me, it’s not the point of the story, it’s just part of the ordinary background that makes up a world. You can tell a story and have it focus on the positive outlook, without shunning conflict, upset, or bad things happening – you go through everything with the characters, but the author brings you safely out the other side. There’s comfort and catharsis in that. It’s a big reason why I fell so hard for this book and why it’s an instant favourite.

I love the way in which this is a story of inclusiveness, but it’s never heavy handed. There are queer relationships and characters, disabilities and differing sometimes clashing cultural and racial considerations that are all noticeable, but not as tick boxes. They’re part of a three-dimensional texture about this book, they build on the story and the characters, they’re never trite.

This book is like taking a deep breath of fresh air, and being hugged by all its wonderful words. I’m so in love with this.

Review: Break the Chains (The Scorched Continent #2) by Megan O’Keefe

Break the Chains - coverARC Review:

Title: Break the Chains (The Scorched Continent #2)

Authors: Megan O’Keefe

Publisher and Year:  Angry Robot, 2016

Genre: fantasy, epic fantasy, steampunk

 

Blurb from Angry Robot:

(Not sure why it’s not up on Goodreads but anyway):

A year has passed since Detan set the skies above Aransa on fire, and the armies of Aransa’s new dictator Thratia are preparing to knock on the door of his aunt’s city, Hond Steading…

As the city that produces the most selium – that precious gas that elevates airships and powers strange magic – Hond Steading is a jewel worth stealing. To shore up the city’s defenses, Detan promises his aunt that he’ll recover Nouli, the infamous engineer who built the century gates that protect the imperial capital of Valathea. But Nouli is imprisoned on the Remnant Isles, an impervious island prison run by the empire, and it’s Detan’s fault.

Detan doesn’t dare approach Nouli himself, so his companions volunteer to get themselves locked up to make contact with Nouli and convince him to help. Now Detan has to break them all out of prison, and he’s going to need the help of a half-mad doppel to do it.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

Break the Chains is a fantastic follow up to Steal the Sky. This is what anticipating a new fantasy series should feel like! I really enjoyed the first book in this series Steal the Sky last year and so I was delighted to be invited to review the second book, and I’m definitely looking forward to the third!

I love the characters in this series, and what I love about Detan, Tibs, Ripka and the rest this time is that we’re seeing a progression in their stories and personality. I also appreciate that we get a hint into the way they’re forming connections between each other as well, including respect for each other bit by bit. Seeing Ripka challenged by her prison experience was really interesting, partly because she was the prisoner and partly because she can’t turn off her ‘Watch Captain’ view and she notices all the ways in which she would do things differently. She does use this to her advantage, but some of it is simply evaluation through the character’s eyes. I love the band of women she falls in with and the way she works with Enard (we met him as ‘New Chum’ in book 1) to find a key to dealing with the Empire’s influence is fantastic.

I love the way Detan and Tibs work together and let nothing stand in their way to go and rescue Ripka as per the plan they made. He is single-minded in his determination to be trustworthy and to succeed in this plan and it makes him endearing and lessens some of the egotism that was present in the first book. Actually, even though I don’t think Detan grew or changed too dramatically in this book, he was confronted with himself a lot, and subsequently the reader learns more of how he came to be such a person and how he and Tibs are so bound together. This story of friendship in all directions was very satisfying to read.

Actually overall I have to say one of the best qualities of this series and these stories is the emphasis on loyalty and the way that is explored – it’s not just friendship, and it’s not just duty. It’s both of those things and more, but it makes for a very satisfying story to read. The worldbuilding continues to be interesting and we see more of the surrounds beyond the city in which we first met our band of rogues. I love this slow unfolding – it adds to the character of the story, the Empire begins to take shape and the politics and ramifications unfold gently – they’re not a focus of this book so much, not really. Although I wonder if that will be a strong theme in the third (and I presume final) book in the series. There are elements that speak to diversity in this book and the series, but they’re soft and not overt – either in that lovely background but clearly signposted way, or as a plot point (which gets tiresome). I get the strong sense that not all the characters are white, but I am not sure and that could be wishful on my part. There are several female identifying characters, some younger and older characters, and there are characters from different class backgrounds. I didn’t note any queer identifying or disabled characters – which I will say is a shame because I think this world is a ripe setting for it – and if we can have airships, then surely queer and/or disabled characters is not a stretch?

This is a book that you cannot read as a standalone, it follows the events in ‘Steal the Sky’ and leads into the events of the book to come. But the series is excellent and I’d recommend it highly – especially with such a solid second book following a stand out first book.

Review: Tremontaine (Season 1) by Ellen Kushner et al.

Tremontaine - season one - coverARC Review:

Title: Tremontaine (The Complete Season 1) (The World of Riverside #0.5)

Authors: Ellen Kushner, Alaya Dawn Johnson, Malinda Lo, Joel Derfner, Racheline Maltese, Patty Bryant, Paul Witcover

Publisher and Year:  Serial Box, 2016

Genre: fantasy, epic fantasy, romance, serial fiction

 

Blurb from Goodreads:

Welcome to Tremontaine, the prequel to Ellen Kushner’s beloved Riverside series that began with Swordspoint! A Duchess whose beauty is matched only by her cunning; her husband’s dangerous affair with a handsome scholar; a foreigner in a playground of swordplay and secrets; and a mathematical genius on the brink of revolution—when long-buried lies threaten to come to light, betrayal and treachery know no bounds with stakes this high. Mind your manners and enjoy the chocolate in a dance of sparkling wit and political intrigue.

Tremontaine is an episodic serial presented by Serial Box Publishing. This collected omnibus edition gathers all 16 episodes from Season 1.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

What isn’t to love about sword wielding women, politics, hot chocolate, frocks, parties, manners and physics? The serial format of Tremontaine works very well, it’s clear that the background world and universe of Ellen Kushner’s is beloved by all the authors that are invited to play in the world for this story. I’d fallen off the appeal of epic fantasy for a while, but between this and An Accident of Stars by Foz Meadows, I’m excited about this genre again!

In particular I love epic fantasy that involves complex political intrigue and lots of diplomacy, talking around things, layers, and consequences too far reaching to see clearly. I also love characters that are engaging and interesting, sometimes I love the because I identify with them, and sometimes because I’d love to fall in love with them, and other times because they seem so wonderfully wicked – there are all these kinds of characters in Tremontaine and more.

I should point out that I haven’t actually read the other novels that this one is a prequel for, but given how much I enjoyed this book I will absolutely be looking forward to Swordspoint and The Privilege of the Sword!  This is a short review, mainly because I loved it without reservation, the story, worldbuilding, characters, blending of authorial styles were all fantastic and delivered to me an exceptional reading experience. More fantasy like this, with diverse characters who are queer, not all white, who come from different backgrounds and storylines with ‘villains’ who are complex and interesting characters too – you can’t just think of their wickedness, instead it’s tempered with compassion for them, sympathy and understanding for how they’ve gotten into the narrative dilemma they’re in. I really can’t wait for Season 2.

AWW16: An Accident of Stars (The Manifold Worlds #1) by Foz Meadows

Australian Women Writers Challenge 2016 BadgeAustralian Women Writers Challenge 2016: Book #8

Title: An Accident of Stars (The Manifold Worlds #1)

Author: Foz Meadows

Publisher and Year:  Angry Robot, 2016

Genre: fantasy, epic fantasy, queer fiction

 

An Accident of Stars - coverBlurb from Goodreads:

When Saffron Coulter stumbles through a hole in reality, she finds herself trapped in Kena, a magical realm on the brink of civil war.

There, her fate becomes intertwined with that of three very different women: Zech, the fast-thinking acolyte of a cunning, powerful exile; Viya, the spoiled, runaway consort of the empire-building ruler, Vex Leoden; and Gwen, an Earth-born worldwalker whose greatest regret is putting Leoden on the throne. But Leoden has allies, too, chief among them the Vex’Mara Kadeja, a dangerous ex-priestess who shares his dreams of conquest.

Pursued by Leoden and aided by the Shavaktiin, a secretive order of storytellers and mystics, the rebels flee to Veksh, a neighboring matriarchy ruled by the fearsome Council of Queens. Saffron is out of her world and out of her depth, but the further she travels, the more she finds herself bound to her friends with ties of blood and magic.

Can one girl – an accidental worldwalker – really be the key to saving Kena? Or will she just die trying?

 

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review. This review is presented as part of my contribution to the Australian Women Writers Challenge 2016.

An Accident of Stars is a very solid debut novel from Foz Meadows, it truly brings epic and portal fantasy to life. This book is equal parts the start of an epic story and a coming of age story. This is also a story that disabuses you of the notion that nothing *truly* bad can happen to your heroe(s) in a novel, because there are consequences experienced by protagonist Saffron, and other key characters throughout the novel.  There’s a depth and realism to the story because of this commitment in storytelling, and yet it doesn’t ever approach ‘grim dark’ to me, just solid storytelling.

One of the things I love most about this book is the sheer diversity of characters in this novel, they come from so many different backgrounds, they have different experiences of gender, sexuality, ethnicity, skin colour, cultural backgrounds. Rather than being mashed together uncomfortably, these elements come together quite seamlessly in the central rebel compound where Saffron finds herself in the beginning of the novel. I loved that an older woman, who was far from perfect was the rebel leader. There are so many women in this book, and the male characters all came with personalities that I am interested in, with stories of theirs I wanted to explore – rarer than you  might suppose these days. This novel is a triumph to diversity – I’m sure there are improvements, nothing can be everything to everyone but I think this makes a good effort at doing so.

There is a lot going on in the story, as the readers we share in Saffron’s confusion as things unfold – twists and turns in how things affect the rebels, the potential impact on Saffron her self. There’s physical, emotional and political battles involved in this story – it’s multifaceted which gives the story depth, things happen do not happen in a vacuum or in isolation. The storytelling well thought out and executed, making this a satisfying read.

If I have one criticism it is that the book is a debut novel and the writing does reflect this, I found it clunky in places, and in others it threw me out of the reading experience. This is a minor criticism though as overall it is a well polished first novel, and everyone is allowed to grow over time. There is always a starting point – this is an excellent one. I also thought this book was nicely self-contained, you don’t *have* to read the next book if you don’t want to or don’t like series. There’s the opening and minor-cliffhanger for more story but you could absolutely ignore that without any issue. I am looking forward to the next book though because I’m interested to see where the characters go from here and how the broader story unfolds.

Snapshot 2016: Interview with Justine Larbalestier

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I’m glad I was reading my interview with Justine Larbalestier during the day time when the sun was out because her insight into psychopaths and in particular women who are psychopaths is truly chilling!  I interviewed Justine as part of Snapshot 2016 and the interview is reposted here from the Australian SF Snapshot Project. #Snapshot2016


Justine Larbalestier author photoJustine Larbalestier is an Australian–American author of eight novels, two anthologies and one scholarly work of non-fiction, many essays, blog posts, tweets, and a handful of short stories.

Her most recent book, My Sister Rosa, is about a seventeen-year-old Australian boy whose ten-year-old sister is a psychopath. It’s set in New York City and published by Allen and Unwin in Australia/New Zealand and will be published on 15 November 2016 by Soho Teen in North America.

My previous novel, Razorhurst, takes place on a winter’s day in 1932 when Dymphna Campbell, a gangster’s moll, and Kelpie, a street urchin who can see ghosts, meet over the dead body of Dymphna’s latest lover, Jimmy Palmer. Of her other books the most popular are the novel Liar and the Zombies Versus Unicorns anthology which she edited with Holly Black.

Justine lives in Sydney, Australia where she gardens, boxes, and watches too much cricket, and also in New York City, where her game of choice is basketball. She’s a season ticket holder for the New York Liberty.

 

You were a WisCon 2016 Guest of Honour, what was it like returning to Wiscon having previously attended as a regular con-goer in comparison to attending as a guest? Also, what was your favourite part of the experience?

It was strange. Though I was once a regular con-goer there, I hadn’t been in ten years. Last time I was there YA had almost no profile. I was asked, “What is YA?” Some folks were sneery, “Why would you write about teens? Ewww.”  Which is part of why I stopped going. But ten years later that had totally changed. I felt very welcomed and there were many other YA writers and readers there.

Aside from being a co-GoH with Nalo Hopkinson and Sofia Samatar, who are both incredible, my favourite thing was doing a panel on evil women with Mikki Kendall. She’s been doing research on female serial killers and I’ve been researching psychopathic women. She’s one of the smartest, wittiest writers around, as well as being an historian. It was the most informative fun ever. I wish all my panels were with her.

Razorhurst - coverYou’ve been working through the ideas surrounding ‘evil women’ in your recent writing. What have you most enjoyed exploring about the concept of evil so far?

I’m fascinated by the idea that women are naturally good on the one hand, yet on the other, there’s all the stuff about women being diabolical temptresses on the other. I’ve long been obsessed with Femme Fatales. I watched too many Films Noir, I guess. Razorhurst was my first book that featured one, but it won’t be my last. (To be clear, I don’t think any group is naturally good or bad. Google Australia’s Katherine Knight if you want a really gruesome example of a woman killer.)

For a long time there was a belief that there weren’t women serial killers. Or, rather, that they were rare. Possibly because women aren’t seen as capable of that level of violence? Spoiler: they are. But it’s becoming apparent that many female serial killers were simply overlooked because they mostly don’t kill in a showy way. No chopping up bodies, no taunting letters to the police. The women don’t want to be caught. They tend to work as carers and poison/suffocate their victims. Not many people realise that Arsenic and Old Lace was actually based on a real life case and that that real life case was absolutely typical of how women serially kill. Women also tend to get away with their murders more often because their kills look more like natural causes.

The same thing with female psychopaths. Experts say that for every twenty male psychopaths there is only one female one. But when I tried to find where that figure came from it, turned out it pretty much comes out of thin air. Experts don’t know how many female psychopaths there are because little research has been done on them. I suspect female psychopaths are under-diagnosed.

The evil women that are part of our mythologies tends to be evil in terms of their roles as wives/girlfriends and mothers: Medea, Jezebel, Delilah etc. Even when women are being evil to other women in those stories it’s usually because they’re in competition for men. A lot of fictional depiction of female evil assumes heterosexuality and probably wouldn’t pass the Bechdel test. The obvious exception being all those evil lesbians, but they’re seen as evil because of their rejection as men, so it’s still an evil understood in terms of mainstream understandings of sexuality. I.e. the only reason you would turn your back on men as a woman would be because you’re evil.

I’ll stop now as this is turning into a long-arse essay but, as you can tell, I have loads to say on this topic. Hence my writing yet another book about a female psychopath. This time she’s seventeen, rather than ten as in My Sister Rosa, and it’s from her point of view, not from that of her old brother.

My Sister Rosa - cover

Aside from the psychological thriller you’re currently working on, do you have anything speculative in the works?

The kind of psychological thrillers I’m writing are monster novels, which I think are definitely part of speculative fiction. Psychopaths have been figured as monsters for decades now. In fact, I’d argue that most monsters in horror, science fiction, thrillers etc. are human, and when they’re not like, for example, the Godzilla movies, it’s often the evil military trying to fight them, who are the real monsters. With good reason, we fear ourselves the most. And the psychopath, the person with no empathy and no remorse, is kind of the distillation of our fears about our fellow humans.

I do not mean that psychopaths are literally monsters. Just that they’re figured that way in the genre and, let’s be honest, in much reporting of real life cases. What interests me the most about the way we see psychopaths is that they are human. So how do we deal with that? Not very well. How do we deal with the fact that a great deal of the evil inflicted on humans is inflicted by humans who aren’t psychopaths. We don’t.

What Australian work have you loved recently?

This is so hard because I know many brilliant Australian authors but if I praise some of them I’ll be leaving others out. I also worry people will think I’m recommending them because they’re my friends, which I would never do, but it’s what some assume. Besides I recommend my friends’ books on Twitter often.

So I’ll recommend two Aussie writers I’ve never met. Check out Ambelin Kwaymullina. She has a fantastic YA trilogy, The Tribe, that’s not like anything else out there. In non-fiction I loved Finding Eliza: Power and Colonial Storytelling by Larissa Behrendt, which is a witty, well-researched account of the Eliza Fraser story, but this time including Indigenous versions of what happened. It’s the best kind of history because it made me rethink what I thought I knew. A must read.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

Honestly, on most long plane flights there’s already an author sitting next to me. On the other side of me I think I’d prefer to have an interesting person from a completely different field. Lately, I’ve taken to questioning folks about the most common accidents in their occupation so I can figure out “accidental” ways my psychopath could bump people off. So sitting next to an expert on accidental deaths would be the best thing ever.

Snapshot 2016: Interview with PRK

Snaphot Logo 2016

The mysterious man who has his fingers in many pies, from Worldcon to the Aurealis Awards. PRK is one of the most genuine people I’ve ever had the fortune to meet and the chance to interview him is pretty amazing. This interview was conducted as part of Snapshot 2016 and is reposted from the Australian SF Snapshot Project. #Snapshot2016.


PRK Smaug interview photoPRK is a long time speculative fiction enthusiast who regularly escaped to Middle Earth during primary school. Since then he’s become more omnivorous in his spec-fic reading, enjoying and reviewing works in a wide variety of genres including fantasy, science fiction, horror, cyberpunk and paranormal romance. PRK is an IT Geek by day, which provides him the means to fund his spec-fic habit and devour whatever books he can get his hands on. Contributing to spec-fic in Australia, PRK runs conventions as a hobby, and is on the Board of the Western Australian Science Fiction Foundation, where he is the convenor for the Aurealis Awards. You’ll usually find him roaming the corridors at Swancon and Continuum, or online via Twitter: @prkaye or his website: http://www.prkaye.com/

 

What is the most surprising thing you’ve learned about running conventions in Australia over the past several years?

I think the most surprising thing I’ve learned is that the community passion and sheer volume of institutional knowledge in the community have frequently lead to a quality of convention organisation beyond that I’ve seen from many professionally run conferences. Conventions like Swancon, Continuum and Conflux are run by volunteers and it’s incredible to see the kind of events that our community produces, out of love for the genre.

You were recently one of the readers for the inaugural Sarah Douglas Award for the Aurealis Awards, what was it like to read so many books for that award and did it give you particular insight into what makes a good series?

It was both incredibly challenging based on the number of novels and incredibly rewarding to read that many series. Reading specifically for series really highlighted, for me, the difference between using the same characters and world with a different plot versus growing and evolving the characters and/or world in a way that a single novel doesn’t readily allow for. In addition, all the novels in the series have to work together to build a story that’s vaster than just the sum of the individual novels. Having read for the Sarah Douglas Award, I’m convinced that the differences between good standalone novels and novels that make up a good series result in the latter being under represented in awards, and I hope to see more series based awards in the future.

There are rumours that one of your long term plans is to bring Worldcon to Perth, Australia. What attracts you to the idea of a Perth Worldcon?

Worldcon is such a fantastic experience for both fans and professionals alike that I want to make it accessible to as many people as possible. The last Australian Worldcon was in 2010, and there’s a growing number of fans and professionals who haven’t experienced a Worldcon. Australia has thriving and varied speculative fiction communities, with Western Australia’s Swancon running over over 40 years – I’ve been told it’s the longest continuously running speculative fiction convention in the Southern Hemisphere. With over 40 years of experienced convention runners and fannish traditions, hosting in Perth would provide a fantastic opportunity for the Australian community to experience Worldcon, and also be a different and unique experience for the International community, compared to previous Melbourne based Worldcons.

What Australian work have you loved recently?

I really enjoyed Season one of Cleverman. It was a fantastic use of science fiction targeted at a mainstream audience which examined and commented on the racism prevalent in Australian society and our government’s policies. While distressing in some areas, it didn’t hold back on showing the human impact that policies and attitudes can have. Despite, or perhaps because of that, it also provided a strong and powerful representation of Aboriginal people struggling with the impact of, and fighting back against, injustice.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

I hate small talk on planes, people rarely want to be there – they’re either on their way to or from somewhere, and it’s a closed environment with no ability to leave if a conversation turns out to be distressing. Besides, I’d much rather an empty seat for the extra space! So let’s say it was at a convention bar instead, where anyone was free to enter or leave as they pleased. I’d absolutely love to talk with Mary Shelley.

It would be fascinating to discuss with her the current state of speculative fiction, all the sub genres, and her thoughts on the development of it, from the context of Frankenstein. I’d also love to hear Shelly’s thoughts and experiences of the genre over such an extended lifetime (assuming that’s how this has worked, rather than a sudden resurrection), and also her predictions for the future of the genre.

Snapshot 2016: Interview with Marianne de Pierres

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Marianne de Pierres remains one of the most versatile authors writing in the Australian scene, she’s not afraid to tackle any kind of story that takes hold of her and she’s always up for trying something new. Plus, she’s also great fun to have around! This interview is part of Snapshot 2016 and is reposted from the Australian SF Snapshot Project. #Snapshot2016.


Marianne de Pierres Comic Con 2016 author photoMarianne de Pierres received the 2014 Curtin University Distinguished Australian Alumni Award for significant and valuable contributions to society. This award was granted in recognition of her feminist speculative fiction. She is the author of the award-winning Sentients of Orion and Peacemaker series. Her young adult Night Creatures trilogy was listed as a Recommended Read by both the Stella Prize and Victoria Premier’s Literary Award panels. Under the pseudonym Marianne Delacourt, she has also written a series of crime novels for which she has received a Davitt Award. She is a writing educator and mentor, a proponent of Transmedia, and has been involved in several successful creative partnerships.

You’re working on feminist science fiction for your PhD project, what is the most surprising thing you’ve learned in your research and reading so far?

The short answer is “everything”. It’s been a wonderful and soaring learning curve for me: from Donna Haraway’s cyber-feminsim through to the post-feminist theorists. More specifically though, my topic examines how certain female speculative fiction authors imagine future feminism in their work. The most surprising discovery is the conclusion that I’m beginning to draw from an analysis of three particular texts. I’m using vN by Madeline Ashby, God’s War by Kameron Hurley, and Zoo City by Lauren Beukes as my case studies. Though set in vastly different worlds and written in diverse styles, there are some strong commonalities in their subtexts. But you’ll have to read my exegesis to find out what those are! No spoilers yet.

Sharp Shooter - coverThe recent re-release of ‘Sharp Shooter’ internationally is so exciting and I’m so looking forward to the release of the fourth novel in the series! Can you give us a hint of what we can expect from Tara’s next adventure?

Thanks Ju! I am also really thrilled that Twelfth Planet Press have picked up the Tara Sharp series for their Deadlines imprint. The books are being re-released over the course of this year with new covers, and each one has been revised, and in some instances new material has been added. Cathy Larsen is producing some splendid new artwork. Book 4 will be out around November and is titled Sharp Edge. Things are ‘hotting up’ between Tara and Nick Tozzi and she’s not sure she can handle it, so (in usual fashion) she plunges into her latest adventure to avoid having to make decisions. This means helping her ex-fiancée, Garth, with a money laundering problem and disentangling herself from the bikie gang to whom she owes a favour. Cass and she also move out of Lilac Street. Everyone’s lives are evolving.

One of your strengths as an author has been your ability to work across genres, from YA and urban fantasy to science fiction, crime and dystopia. Do you have a favourite amongst the genres you’ve written in and are there any you’d still like to try out?

Funny you should mention that! Once my PhD novel is complete, I plan to work on a biography about a man named Colonel Herman Thorn, who lived in early 19th Century New York and Paris. I’m so obsessed with this story that for the first time in my life, I feel compelled to write non-fiction, and I refuse to be daunted by the fact that it’s a new genre for me.

In terms of my previous fictions… as long as it’s speculative, I love it! No favourites there. 🙂

What Australian work have you loved recently?

Pamela Hart’s (aka Freeman) historical novels are some of the best world building I’ve read. Pamela’s a terrific writer in all genres, but I agree with her husband (author Stephen Hart) who says she’s really found her niche here.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

Octavia Butler. I’d be interested in pretty much anything she had to do or say.

Snapshot 2016: Interview with Ambelin Kwaymullina

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Ambelin Kwaymullina writes the kind of books you fall in love with, at least *I* did and so it was a particular privilege to interview her. This interview is part of Snapshot 2016 and has been reposted from the Australian SF Snapshot Project. #Snapshot2016.


Ambelin Kwaymullina author photoAmbelin Kwaymullina is an Aboriginal writer, illustrator and law academic who comes from the Palyku people of the Pilbara region of Western Australia. She is the author of the dystopian series The Tribe for young adults, and has also written and illustrated a number of award-winning picture books. Find out more about Ambelin at her website: www.ambelin-kwaymullina.com.au.

In one of your interviews for #LoveOzLit, you refer to a need to trust the story and to not get in its way. I also notice that much of your work features the element of transformation and I wondered if that was deliberate or if it relates to your trusting the story you’re working on?

In my culture, everything lives, including stories. That means to tell a story is a profound responsibility, and part of that responsibility is allowing the story to honour its own truths. Stories, like all life, are capable of unexpected transformations. Another part of that responsibility is to understand that not all stories are yours to tell – we all occupy a particular position in this world and that position informs our understanding but also places limits upon it, especially when it comes to the stories of cultures and identities not our own.

Are there any speculative projects (writing, art, appearances) that you’re working on presently that you can share any details with us?

I’m working on a new novel (YA, spec fic). It’s not part of The Tribe series – but like The Tribe series, it’s a work of Indigenous Futurisms, which is a form of storytelling where Indigenous creators use the spec fic genre to challenge colonialism and imagine Indigenous futures.

The Tribe Series - covers

In recent years you’ve written for The Wheeler Centre about Indigenous storytellers, power and privilege, about Aboriginal storytelling and young people, and about the need for diverse stories in Australia. Have you noticed any changes in the number or nature of Indigenous storytellers and stories being produced and distributed to wider audiences since then?

Nope.

Indigenous publishers (like Magabala Books) continue to do amazing work, and some small presses (like Fremantle Press and University of Queensland Press) also publish a significant list of Indigenous voices. But there’s been no fundamental shift in the literary industry more generally, either in relation to Indigenous authors or other diverse voices. Here’s the thing: as I’ve said before, a lack of diversity in literature is not a ‘diversity problem’. It’s a privilege problem, in that it is being caused by structures, behaviours and attitudes that consistently privilege one set of voices over another. That means that change is required at an individual and systemic level to address privilege before diverse voices will ever have a real chance of being heard. And this change needs to encompass the entire industry, not just publishers (as recent conversations in the US over the role of reviewers reminds us).

Part of this change involves being informed. I blogged recently about some things editors should know when editing books with Indigenous content, but much of what I said applies to the literary industry more generally.

What Australian work have you loved recently?
Cleverman!

Which author (living or dead) would you most like to sit next to on a long plane trip and why?
My friend from across the sea, fellow speculative fiction writer Zetta Elliott. We have only ever met in cyber-space and it would be so nice to connect in person.

Review: The Invisible Library (The Invisible Library #1) by Genevieve Cogman

Invisible Library - coverARC Review:

Title: The Invisible Library (The Invisible Library #1)

Author: Genevieve Cogman

Publisher and Year:  ROC, 2016 (US edition)

Genre: urban fantasy, fantasy, steampunk

 

Blurb from Goodreads:

The first installment of an adventure featuring stolen books, secret agents and forbidden societies – think Doctor Who with librarian spies!

Irene must be at the top of her game or she’ll be off the case – permanently…

Irene is a professional spy for the mysterious Library, which harvests fiction from different realities. And along with her enigmatic assistant Kai, she’s posted to an alternative London. Their mission – to retrieve a dangerous book. But when they arrive, it’s already been stolen. London’s underground factions seem prepared to fight to the very death to find her book.

Adding to the jeopardy, this world is chaos-infested – the laws of nature bent to allow supernatural creatures and unpredictable magic. Irene’s new assistant is also hiding secrets of his own.

Soon, she’s up to her eyebrows in a heady mix of danger, clues and secret societies. Yet failure is not an option – the nature of reality itself is at stake.

My Review:

An eARC of this book was provided by the publisher in exchange for an honest review.

I really enjoyed this book – it’s what you call a ‘rollicking good read’! The story and characters were just fantastic and hooked me from the beginning. I also love the idea of an inter dimensional Library with all the knowledge and spy librarians! Such an awesome concept and I’m delighted by the surge in books about libraries and librarians and how awesome they are lately!

In regard to this particular book and its story, I enjoyed the alternate London universe quite a lot, with magic being a likely threat and having to navigate unfamiliar politics – and without the resources one could usually expect. I’m very keen to see how the story continues and also whether we will get to peek into other dimensions and worlds that the Library is interested in!

My only thought is that the romance in this book was a bit clunky and I wanted to believe in it a little more from both sides. I’m hoping that element improves in subsequent books as the characters and story develops further. I think this is in part to Irene’s perceived immaturity – even though she has a quite extended lifespan, much of it has been spent in the Library confines and less being out in the world – or at least, that’s the only conclusion I can come to? I want a bit more growth from her overall. Kai plays the part of mysterious super-attractive side kick character really well – it’s not often the super-attractive character is the sidekick actually so that bit I particularly like.

I enjoyed The Invisible Library a lot and can’t wait to read more about the story and these characters! It was the right book at the right time – adventure and fantasy and just light and fluffy enough but also with enough depth to really have me enjoy the reading experience. Sometimes I think it’s as much the right book for the right mood/occasion as it is excellent writing/story/characters. The latter things are important, but if you’re not in the mood for a super crunchy thinky read then you’re not, and similarly if you want that and try to read something super fluffy, you’ll be disappointed. This book is not super crunchy, complex and deep – nor would I want it to be. It’s entertaining and full of adventure and All The Cool Things – because if you got to work for a magical library wouldn’t enjoying all the cool stuff be partly the point?

Snapshot 2016: Interview with Glenda Larke

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Glenda Larke is the kind of author that readers like myself adore, there are books and plenty of them in nice reassuring series with epic overarching storylines. There’s sweeping world vistas with magnificent histories and characters you’ve plenty of time to fall in love with. I’m so pleased that I had the chance to interview Glenda for Snapshot 2016. This interview is reposted from the Australian SF Snapshot Project. #Snapshot2016.


Glenda Larke author photoGlenda was born in Western Australia, on a farm where bathwater was pumped up from the Canning River and the dunny was across the back lawn, in an age when the radio was so large it stood on the floor and the family car had running boards you could hitch a ride on. She now lives on the coast just south of Perth — in the years between, she has taught English to engineering students in Tunisia and adults in Vienna, and worked on avifaunal conservation everywhere from the heart of Borneo to islands in the South China Sea. She has also published four trilogies and a standalone fantasy and has won multiple Australia awards. Her most recently published book, The Fall of the Dagger, brings The Forsaken Lands trilogy to a close. 

Congratulations on your winning the inaugural Sara Douglass Series Award for your Watergivers trilogy! You are well known for the series you have written now, and as this award focuses specifically on series, what do you think makes a great series that is different from simply writing a great novel?

Thank you!

Winning was a tremendous thrill, unbelievable when I think of the calibre of much of the competition, and I take my hat off to the judges who had such an enormous volume of books to read. I wish could have been at the ceremony, but I was actually walking my newborn granddaughter up and down in New York at the time…

A trilogy, or even a long series like G.R.R. Martin’s Song of Fire and Ice, is actually just one very long book. That’s the basic difference: length. The Watergivers exceeded half a million words.

The length enables a writer to invent a world with a vast history and a panoramic landscape, colour it with magic and villainy, and then people it with a cast of characters of every hue, religious belief and social status. If it is well-written, it is wonderfully immersive for a reader in a way a shorter book cannot be. From a writer’s point of view, it’s maddeningly complex — like trying to weave cloth of a thousand hues without the aid of a loom.

A series can also be a number of short books with the same characters and a storyline that comes to a conclusion with the end of each book. Possibly that’s a tad easier, although I doubt it. Either way, those award judges had a tough task!

Watergivers Trilogy - covers

You were recently a guest for Supanova, what was your favourite part of the experience and did it give you insight into what Australian fans are reading and looking for?

Frankly, I love everything about Supanova. It’s such a circus of creative genius, a mix of writers, artists, film makers, actors and geeks and fans, a glorious hotch-potch of fantasy madness! The best part is simply sitting behind the writers’ desk, watching the costumed fantasy enthusiasts walk past and chatting to anyone who stops, whether they have ever heard of me or not. And if I have to describe Australian fans, it would be to say that they are a really varied lot and defy categorisation.

Now that you’ve concluded your ‘Forsaken Lands’ trilogy, are you able to give us a hint of any other project that we can look forward to?

 I’m working on a new book, at a snail’s pace, I fear. (I don’t have a contract at the moment.) It’s tentatively called Redweaver Dawning, and it uses (and subverts!) the trope of the changeling, the stolen baby who ends up being the heir to the throne. That’s always seemed a very unlikely scenario to me, and I am having great fun with it.
What Australian work have you loved recently?

I’ve been reading some urban fantasy for a change: Keri Arthur’s Chasing the Shadows (lots of mayhem in San Francisco) and Alison Goodman’s Lady Helen and The Dark Days Club (urban fantasy a la Jane Austen). Also Ben Peek’s fantasy epic The Godless, which is a worldbuilding tour de force.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

J.K. Rowling because that would mean I’d be travelling in first class comfort? 

(Oh, I must say, I don’t like the idea of sitting next to anyone, author or otherwise, who’s dead.)

Ok, seriously: Ursula le Guin. Because. I mean, who wouldn’t want to share a journey with a SF author of such legendary status and strong moral positions?

Snapshot 2016: Interview with K.A. Bedford

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Another day, another awesome interview for Snapshot 2016. This time I’m interviewing the lovely K.A. Bedford whose writing is as insightful as he is. This interview is reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Adrian Bedford author photoK.A. Bedford is a sometime writer living in Ballajura, Western Australia, with his lovely and long-suffering wife Michelle, and their dog Freckle. He’s the author of several sf novels, including Time Machines Repaired While-U-Wait, Eclipse, and, his most recent release, Black Light (2015). Time Machines and Eclipse won Best Novel at the Aurealis Awards in their years, and Time Machines was shortlisted for the Philip K Dick Award in its year.

 

Your novel ‘Black Light’ has been very well received and very different from your previous novels, what inspired you towrite a historical supernatural novel this time?

Thank you! I did not set out to write a historical supernatural novel “this time”. I wrote the original draft of a book that featured the original version of the Ruth Black character, the brainy but wronged wife of a mysteriously disappeared “diplomat”, in the late 80s. Then I had another go with the character, still trying to get a clear fix on her, in a book in 1996 (it was one of the two books I originally sent to the publisher in Canada (the other being my space opera/detective novel Orbital Burn; and they rejected Mrs Black but quite liked the story about the sad talking beagle)).

But in 2001, after my third book, Hydrogen Steel, was written, I found myself coming back to Mrs Black, this time with a much sharper idea of who she was and what she was about. She was a writer of science fiction novels, her husband was killed in a great war, she was independently wealthy, and burning with the suspicion that something about her late husband’s death was not as she had been informed. I wrote a complete draft, but I knew it had problems — problems I didn’t, at the time, know how to fix, so I put it aside on a floppy disk–which was then lost.

A few years ago, at a time when I was thinking about giving up on writing, I came across this ancient, dusty stack of floppies, and was going to toss them. But I wanted to just see what was on them first. I bought a USB floppy drive (my current PC doesn’t read them), and started going through them–and discovered the original Black Light draft, complete. I read it, and it was quite okay. The problems were fixable, so I fixed them. I changed the setting to Western Australia, a slightly alternate version where magic of a sort can coexist with science. Where elves who’ve found themselves here because of all the British and Irish immigrants brought them here with their cultural baggage and mythology, struggle in the savage heat and with the wrong sorts of trees, and become monstrous and angry.

Then a weird thing happened. I thought I had a decent book on my hands, but wasn’t sure. I asked very nicely if my friend Georgia Richter at Fremantle Press would mind just having a read, to see if it read okay. I knew Georgia from when Fremantle produced their edition of Time Machines Repaired While-U-Wait. She said yes, and I sent it, grateful for her help.

Next thing she rings me one morning to tell me she wants to buy the book, she loves the book, and when can I come down to Fremantle to talk to them about it?

So you could say it’s been in the works a long, long, looooong time!

Black Light - cover (courtesy of Fremantle Press)

If you were to go to another country on an expenses paid trip to research a novel, where would you most like to go and why?

Antarctica. I’ve always wanted to go. It would most likely be very bad for emotionally, with the light and the isolation, but the place itself, the extremity of it, fascinates me the way Mars fascinates me, as if it were another planet helpfully stuck on the bottom of our own. I’ve been fascinated about Antarctica my whole life, and it is number one on my list of places to visit. I know it’s possible to do artist-in-residency gigs down there, but I have no idea what I’d actually write about. I loved Kim Stanley Robinson’s Antarctica novel (though a bit didactic in the end), and other books about Antarctic explorers, notably Sir Ernest Shackleton’s South.

I’ve been following your candid discussion on dealing with health and mental health issues recently, your honesty has allowed insight into something not discussed so openly often. What prompted you to share your experiences so openly and have you found it to be beneficial?

Beneficial, yes, absolutely, because in writing about it, even on Facebook in front of friends, is like journalling, it allows me to think my way through what’s happening (and not happening), and how it feels. It’s a window into a situation many people would never previously have seen or experienced. It helps me process stuff.

Why do it, though, in the first place? Because it’s something happening to me. It’s my life. There’s no reason to keep it secret. In 2012 I shattered my left elbow when I fell on a concrete floor. I reported on the entire experience from the first day all the way through to the end of rehab, when I finally got full movement in my arm back. There was no shame in having a broken arm that needed fixing, and I strongly believe there is none in what’s happening to me now, as I make my way through depression and mental illness in a psychiatric hospital. It’s no different. I’m working on regaining full function in my mind, and my life. I’ve been plagued with depression all my life, since I was a kid. For most of that time I was acutely aware of the notorious stigma that surrounds mental illness. My reporting of my struggles now is my way of striking back against that stigma. No matter how personal, how private, how intense, it gets. Because there’s nothing shameful about it.

There is one weird and disturbing thing about my current situation: my mental health has been declining since late last year, culminating in what is now my second hospital stay this year. But I’ve barely written a word, and worse, have had no desire to write a word, for some time now. The writing part of my mind has, apparently, gone. As if removed. As if writing is a thing I used to do. There’s just a silence where previously there was always “radio chatter” from that part of my mind, with characters and stories and plans and ideas. Now there’s nothing. My doctors have an idea it might all be due to very low testosterone. We’ll find out.

What Australian work have you loved recently?

Lee Battersby’s Magrit novel for younger readers was wonderful. I loved it very much for its mysterious sadness, for its plucky protagonist, its bony antagonist, and for the way, on every page, you could feel the author’s deep love for his own children.

Which author (living or dead) would you mostlike to sit next to on a long plane trip and why?

Gosh, I really wouldn’t. I’d be worried about too many things, about disturbing them, or bothering them, interrupting their concentration if they were trying to work, or sleep if they were trying to rest. I wouldn’t want anybody bothering me in the reverse situation, so I wouldn’t do the same to anyone else.

 

Snapshot 2016: Interview with Stephanie Lai

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My interview with Stephanie Lai, and as you can see I get to interview some of the most awesome Stephanie types in Australia! I conducted this interview as part of Snapshot 2016, reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Stephanie Lai author photoStephanie Lai is a Chinese-Australian writer and occasional translator. She has published long meandering thinkpieces in Peril Magazine, the Toast, the Lifted Brow and Overland. Recently, her short fiction has appeared in the Review of Australian Fiction, Cranky Ladies of History, and In Your Face. Despite loathing time travel, her defence of Perpugilliam Brown can be found in Companion Piece (2015). She is an amateur infrastructure nerd and has a professional interest in climate change adaptation and sustainability. You can find her on twitter @yiduiqie, at stephanielai.net, or talking about pop culture and drop bears at no-award.net

Congratulations on your Artist Residency in Singapore! What excites you most about getting to spend three months concentrating on your creative work?

Thank you! Only EVERYTHING. I’ve never had the chance to really sit and just focus on my practice before, undistracted by calling my mum or cleaning up after the cat or visiting my friends who coincidentally have days off work. So the idea that I’ll be able to just sit and work is intimidating but so exciting, too. I’m also very excited about exploring something that is so personally important to me (the impact of traditional culture and cultural identity on how people interact with climate change information/instructions, particularly in Asian communities), and that has an impact on both my professional day job and my writing. Although I’m going to be working on community research for a research memoir, I expect the understandings and learnings and all the fun stuff will have an impact on my science fiction, too – so it’ll just mean even more climate change fiction about Chinese-Australian ladies. 😀

The residency is facilitated by Asialink Arts and located at Grey Projects in Singapore, and my grant is through the Malcolm Robertson Foundation.

Cranky Ladies of History - coverYour story about lady pirate extraordinaire Cheng Shih in Cranky Ladies of History was fantastic, and barely scraped the surface of how awesome she was historically. Is there a chance that you would consider writing more of her story in future?

Yes. I desperately want to look at how Cheng Shih’s domain and reign would have changed in a silkpunk world; or a world where she truly was the (Water) Dragon of the South Seas.  My piece in Cranky Ladies was very much set in our world as we understand it, and I’d like to explore that in a science fiction or fantasy setting.

If you had the opportunity to edit an anthology of your choice what kind of project would you want to put out into the world?

South East Asian climate change SFF written by South East Asians. Our islands will be impacted, and in many ways are already being impacted (our first climate change refugees are coming from the Pacific, from Tuvulu and Kiribati), and I’m interested in how people envision that. And in creating more spaces for South East Asian SFF.

What Australian work have you loved recently?

Since last year’s Snapshot I’ve really loved Orphancorp by Marlee Jane Ward (Seizure) and The Family Law by Ben Law, which wasn’t published recently but was a delight. I’ve also appreciated, rather than loved, a book by my housemate’s dad (Putting Stories to Work, Shawn Callahan, self-pub), which is about great using stories in business and not-profit contexts to change hearts and minds, and has really helped my professional storytelling practice (Storytelling is such an important part of climate change communication, and one which is often overlooked).

I am really looking forward to reading The Island Will Sink by Briohny Doyle, which just came out last week through The Lifted Brow.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

I don’t talk to strangers on long flights! But I guess in the spirit of this question, my answer is either Pu Songling, Ted Chiang, or Maxine Beneba Clarke.

Snapshot 2016: Interview with Stephanie Gunn

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My interview with Stephanie Gunn is the second of the interviews I conducted for Snapshot 2016, reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Stephanie Gunn author photoStephanie Gunn is a speculative fiction writer and reviewer. Once upon a time she was a scientist, but life had other ideas, and now she spends her days surrounded in words in one way or another. She has had work nominated for the Aurealis, Ditmar and Tin Duck Awards, and is currently at work on several contemporary fantasy novels. She lives in Perth with her husband and son, and requisite cat, who cares not for books except as surfaces to sit on. You can find her online at stephaniegunn.com.

 

How would you describe your Defying Doomsday story ‘To Take Into the Air My Quiet Breath’ for people who may not know what to expect from an anthology about a dystopian future featuring disabled and chronically ill protagonists?

To Take Into the Air My Quiet Breath is a story about sisters who survive a devastating flu pandemic. The sisters consist of a set of twins, both of whom have cystic fibrosis—one of whom has had a lung transplant—and their older sister. The three of them initially survived the pandemic by going into isolation on a remote farm with their uncle and mother; both adults died after the pandemic, leaving the sisters to survive alone.Defying Doomsday - cover

The idea for the story came from a long fascination with pandemics (I blame early reading of Stephen King’s The Stand, but I also have a background in microbiology and genetics, and had thought of going into epidemiology) and the idea of who would be likely to survive in a global pandemic. The idea is that the strong survive, of course, and those who happen to be immune, but what if that strength and/or immunity came with a chronic illness? And for that chronic illness to be something like cystic fibrosis, which requires an enormous amount of medical support, was an idea I couldn’t shake.

People with chronic illnesses and disabilities are taught to be survivors in this world, usually by necessity, and not always given the support and respect due to them. I wanted very much to show these sisters supporting each other, and in the end, to give them hope. To let them defy everything.

We’re about half way through our reading/blogging project ‘Journey Through the Twelve Planets’, what have you discovered about the Twelve Planets collection that you didn’t know when we started?

The main thing I’ve discovered is the sheer quality of the collections in the Twelve Planets. I read most of the first half of the Planets when they were released, and I knew that they were all good, but reading them back to back has really shown just how impressive they all are. We’re seven books in now, and there hasn’t been a single story or novella that’s been sub-par. It’s really put into perspective how damn good the female writers showcased are, and given me a whole new level of respect for Twelfth Planet Press and Alisa Krasnostein (and frankly, I already had an enormous amount of respect for both).

Image of a series of vertical book spines showing the twelve planet books in various colours. Header text white on transparent black overlies the image with the title 'A Journey Through the Twelve Planets'.

In your 2015 wrap up blog post you talk about writing goals and achievements in 2015, how is 2016 shaping up in relation to the goals and plans still on your list?

This has been a bit of a frustrating year for me. I’ve been focusing a lot on developing my skill as a novel writer, and learning as much as I can about story structure and outlining. I’ve always been a hardcore pantser, and I’ve wanted very much to streamline my methodology to—in theory—make novel writing a faster process for me. I’ve definitely moved very much to being an outliner now, but novel writing is still frustratingly slow. It takes me a fair amount of time to craft a short story as well, and for both I need many, many drafts, so I’m at the point where I probably just need to accept that mine is a slow process.

I had a lot of plans coming into this year. I wanted to outline and finish a first draft of a new novel, which has been extremely slow in coming. I do have about two thirds of a draft by now, but it’s been extremely frustrating, especially since I wanted to have this done in the first half of the year so I can redraft another novel, which is edging close to being submittable.

I’ve also had one short story published so far (To Take Into the Air My Quiet Breath, in Defying Doomsday), which I am incredibly proud of (and still, quite frankly, somewhat stunned to be published in that anthology!), and I have another novella forthcoming in Aurum from Ticonderoga Press. So it’s not a total loss, even though I feel like I’ve only accomplished a tiny fraction of what I wanted to.

 What Australian work have you loved recently?

All of the Twelve Planets collections read to date have been amazing, and I encourage anyone who hasn’t read them to pick up copies of them all. I was also floored by how amazing Lisa L. Hannett’s debut novel Lament for the Afterlife, as well as Louise Katz’s The Orchid Nursery. I’m biased, since I have a story in it, but Defying Doomsday, edited by Holly Kench and Tsana Dolichva, was amazing, and I want to make particular note of “Tea Party” by Lauren E. Mitchell. Illuminae by Amie Kaufman and Jay Kristoff, was also incredible, and I’m looking forward to the sequel later this year.

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

This is a tough one, mostly because I’m a massive introvert who would most likely be sitting with headphones in for the whole time! If I have to pick someone, it would probably be Kameron Hurley, just because of her sheer talent, grit honesty about the writing life. I think that would be a very worthwhile trip.

Snapshot 2016: Interview with Sean Williams

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This is the first of the interviews I conducted for Snapshot 2016 with the always lovely Sean Williams, reposted from the original over at the Australian SF Snapshot Project. #Snapshot2016.


Sean Williams - Photo by James BraundSean Williams is an award-winning, #1 New York Times-bestselling author of over forty novels and one hundred stories, including some set in the Star Wars and Doctor Who universes, and some written with Garth Nix. He lives up the road from the Australia’s finest chocolate factory with his family and a pet plastic fish.

Although your Twinmaker series concluded with the release of ‘Fall/Hollowgirl’ last year, it looks like this universe still has a hold on you. Is there more to come from within the Twinmaker universe?

The Twinmaker universe, and the idea of the matter transmitter, definitely still has a tight grip on me. Apart from the fantasy landscape of The Stone Mage and the Sea, which I’ve returned to more than a dozen times, this is the world I’ve most visited, with four novels and over forty short stories so far, plus a PhD thesis to prove that I’m taking it all very seriously.:) I have a couple of stories yet to come, and there are still ideas kicking around. One is to write a non-fiction book on the rise and fall and rise of the teleporter. If I could drop everything in order to do that, I would. Then I’d be done with it. Maybe.

Because, honestly, this has been obsession for more years than I care to count. The first “serious” story I ever wrote, i.e. thinking that I might actually have a shot at being a writer, was a matter transmitter story. That was in 1989. Going back even further to 1978, I wrote a mammoth epic, or so it seemed when I was eleven years old, and it too featured a matter transmitter. If anyone’s looking for recurring tropes in my work, this would be the one that stands out. I would justify this obsession by saying that it’s the ultimate science fiction trope, the one that allows an author to explore every imaginable idea, except for travel back in time (and hell, Michael Crichton used it to do even that). But really it’s because I think it’s cool … and the ideas it generates just keep on coming.

Fall - Twinmaker - cover

You’re well known for writing science fiction and dystopia, and I’m a particular fan of your fantasy work. Do you think you’ll continue to work across genres?

Most likely. I’ve always liked moving across genres and styles. It keeps me from getting stale–or so I tell myself. Maybe it’s really just to keep me from getting bored. One thing that’s stopped me from writing much horror lately is the feeling that, if I’ve played with a trope once, it’s time to move on. Of course, given the answer to the question above, some tropes comprehensively break that rule. I’ve also come back to some styles or worlds many times over, but only when I feel like I have something more to say about or with them.

Forthcoming projects include my first ever published 1st-person novel, my first mainstream novel, and my first medieval fantasy (co-written with Garth Nix). At the same time, I have a space opera novel kicking around, and I’m actively researching another book set in the world of the Books of the Change. Plus the non-fiction book on matter transmitters. So there’s lots of old and new stuff to keep me interested for a while yet.

In your blog you mention two YA novels that you’re writing. What is it that draws you to YA?

The first of the two YA novels is In My Mind, a first-person novel set in the present day that uses speculative elements to explore social anxiety and chronic pain; that’s sold in the US, and I’m editing it at the moment. The second is Impossible Music, a mainstream novel about deafness and music. It earned an Australia Council Grant (for which I’m incredibly grateful, times being tough) and is still in the research phase. Both are very personal novels, dealing with things that are very close to me, or things I have suffered myself (particularly In My Mind, which was difficult to write as a result). They’re topics I find easier to write about in YA because they speak to the age I was when I discovered/endured them in real life. More or less. These aren’t memoirs, but they do come from very intimate spaces that I don’t normally foreground in my fiction.

In general, I find a freshness, a vividness, a rawness, and an immediacy to YA fiction that is very appealing to me. As genre writer, and reader, I am drawn to stories that pull few punches in terms of plotting and characterisation. Themes, subtext and style are equally important, but I don’t want them foregrounded to the point where they seem to become the point, if that makes sense. Finding the right balance between the many facets of storytelling is one of the most challenging things about being a writer–and a reader as well. There’s nothing more rewarding than finally getting it right.

What Australian work have you loved recently?

Justine Larbalestier’s My Sister Rosa, Jaclyn Moriarty’s The Colours of Madeleine series, Liane Moriarty’s The Husband’s Secret, Deb Biancotti’s Waking in Winter, Anna Smaill’sThe Chimes, Zeroes by the fabulous Westerfeld/Lanagan/Biancotti trio. I’m also going on a bit of an Elizabeth Knox binge lately; her Dreamhunter duet really hit the spot. (I’m conflating a couple of New Zealanders with the Australians here, but I figure it’s okay to be inclusive. Hopefully!)

Which author (living or dead) would you most like to sit next to on a long plane trip and why?

I wish I’d met Robert Anton Wilson when he was alive, so I guess that’s my answer. It would be fair to say that his Schroedinger’s Cat books literally changed my life (more than Illuminatus! although he’s more famous for them). I was a teenager thinking thoughts that didn’t really fit into the box I was living in, and here was the guy writing about exactly those things, but with a sense of humour and wonder sorely lacking in the other pundits I’d stumbled across. He had a joyous knack of telling stories that underpinned everything he wrote. If I had the opportunity to hear some of those stories in person, I would take it in a flash.

Snapshot 2016: A slice of Australian Speculative Fiction

Snaphot Logo 2016

I’m reposting this from the Australian SF Snapshot Project because this year I’m participating as one of the interviewers and over the coming two weeks I’ll be posting several interviews I’ve conducted with Australian creators.  Yay for #Snapshot2016!


The Aussie Spec Fic Snapshot has taken place five times in the past 11 years. In 2005, Ben Peek spent a frantic week interviewing 43 people in the Australian spec fic scene, and since then, it’s grown every time, now taking a team of interviewers working together to accomplish.

From August 1 to August 14 2016, this year’s team of interviewers have their turn. Rivqa Berger, Greg Chapman, Tsana Dolichva, Marisol Dunham, Nick Evans, Elizabeth Fitzgerald, Stephanie Gunn, Ju Landéesse, David McDonald, Belle McQuattie, Matthew Morrison, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Matthew Summers and Tehani Wessely scoured the country (and a bit beyond) to bring you this year’s Snapshot.

You can follow all the action here at the Snapshot site, via Twitter @AustSFSnapshot or on Facebook, and follow our interviewing team to keep up with all the happenings!

You can find the past five Snapshots at the following links: 2005, 2007, 2010, 2012, 2014.

 

AWWC14: Guardian by Jo Anderton (Book 3 in the Veiled Worlds Series)

Australian Women Writers Challenge 2014 badgeAustralian Women Writers Challenge: Book #3 (belated)

Title: Guardian (Veiled Worlds #3)

Author: Jo Anderton

Publisher and Year: Fablecroft, 2014

Genre: Urban Fantasy / Dystopian Sci-Fi

 

 

 

Guardian - coverBlurb from Goodreads: 

The grand city of Movoc-under-Keeper lies in ruins. The sinister puppet men have revealed their true nature, and their plan to tear down the veil between worlds. To have a chance of defeating them, Tanyana must do the impossible, and return to the world where they were created, on the other side of the veil. Her journey will force her into a terrible choice, and test just how much she is willing to sacrifice for the fate of two worlds.

My Review: 

I didn’t enjoy the second book ‘Suited’ nearly as much as I enjoyed the first book ‘Debris’ but this third book ‘Guardian’ was excellent and for me, really brought the series to a satisfying close. More than that, it further contextualised and in some way added  meaning to the events of book two, that I hadn’t gotten from that book itself. I loved the worlds crossing, loved the character interaction and connection – even across worlds.

I also think this is one of the more interesting stories to deal with a pregnancy and unusual circumstances – it reminds me a little of the Marianne de Pierres’ ‘Sentients of Orion’ series. Tanyana as a character really extends in this book, she’s a far cry from the ‘woe is me’ from the first book, and resentfulness of the second book. I love her evolution and I also love that the story centres around her, and not the rebuilding of the city or a majestic war – those are fine things, but I like that the story was character driven from beginning to end and that the surrounding events are always interpreted through the character perspective.

Congratulations to Jo Anderton on completing this series so beautifully.

Note:

I originally posted this on Goodreads because I was short on time, so I’m rectifying an oversight by posting the review here as well.

Retro Fiction Review Series: “Vengance of Dragons”, second book in the ‘Secret Texts Trilogy’ by Holly Lisle

Retro Fiction Review Series

 

“Vengance of Dragons” (1999), second book in the ‘Secret Texts Trilogy’ by Holly Lisle

Published by Warner Books, New York.

This is a solid second book in a trilogy. I dived into it as soon as I finished the first book  and unearthed the third book at the same time, expecting that transition to be just as urgent. The story is fast paced, romance unfolds, the deeper plot thickens and the early promise of a utopian ending falls away to a nuance of character growth that I particularly appreciated. 

 

Namely, how do you as the heroes on the side of ‘good’ persevere when your best hope, the one you’ve been working toward for hundreds of years is thwarted. It’s not a usual part of tales like this and I really like the way Lisle handled it. At no point was it a shallow turn in the plot, it was never melodrama for the sake of it. Instead, as a reader we start to consider what being that person standing up against wrong might mean, what it might cost, how we may not actually know what the right answer is, how there is no guarantee of success… ever. 

 

I am still particularly in thrawl to the variety of characters all with different motivations some more noble or pure of heart than others. I am invested in the protagonist Kait and her lover Ry, but I’m also investested in the numerous secondary characters and how they negotiate the same story. 

 

The novel doesn’t quite stand alone, though there is a very good synopsis in the beginning of the book that may cover that for some people. It is very much the bridge in a trilogy, there’s a lot of plot that takes place relevant to the first and third books but the book at no point comes across as filler, but instead as a vital link between how the story began and how it will be resolved. The tensions and conflicts within this series are well and truly complex enough to cover all three of the books and they’re deftly woven in as part of the story.

 

I can’t say much more about this save that I relished reading it and still recommend it as an extension of what I said about the first, being that if you enjoy epic fantasy, adventure and political intrigue, you would possibly apprecate these books. 

 

 

Retro Fiction Review Series: “Diplomacy of Wolves”, first book in the ‘Secret Texts Trilogy’ by Holly Lisle

Retro Fiction Review Series

 

“Diplomacy of Wolves” (1998), first book in the ‘Secret Texts Trilogy’ by Holly Lisle

Published by Warner Books, New York.

In “Diplomacy of Wolves” Holly Lisle begins a story that really grabbed my attention and I practically devoured it. This review may be spoilery beyond this point so if that’s important to you you may wish to simply know that I highly recommend the book and go and read it before continuing on with this review.

On the blurb it is described as: 

“…a fantastic epic of ancient curses, evil conspiracies, and the darkest of sorceries.”

This is an apt description for the story. The central protagonist Kait is immediately likeable and she gives us a multi-layered insight into the world of Matrin in which the story is set. I love stories involving intrigue, politics and magic and my, this story doesn’t disappoint! The politics involves the notion of a powerful aristocratic class known as ‘Family’, inevitably two rival Families clash over power.

Any illusions Kait may hold about the sanctity of family or purity of her Family the Galweigh’s motives over the rival Sabir Family’s are quickly shattered. Kait’s place and understanding of the world around her is pulled apart and she is left to make the best choices she can to serve her Family after a brutal attack on one of the prestigious Galweigh Family Houses.  

I also love stories with romance and in this there is also no disappointment. What I love about this book and the romance threads is that Kait gets to be a sexual being. She does struggle with this as her Karnee nature lends itself to intense sexual desires leading up to the time when she Shifts. However, this is not the struggle of a young woman in the grips of a puritanical view, rather her own moral code that would see her sleep with people for a genuine connection or preferably not at all.

Kait makes her choices to engage in or not engage in sexual connections without the condemnation of those around her for the reasoning of sex for it’s own sake.Strange that this is refreshing, but it is. Too often my eyes glaze over reading about yet another female character being punished because she dared to be a sexual being. That Kait is always in fullness ‘herself’ indcluding in a sexual sense makes the book and it’s romance enjoyable to read. Other romantic threads also include such ability to choose freely and not be punished for it so the surrounding impression is that there is no sexual war of consent being fought between the characters. 

Ry as a Sabir Wolf treads a fine line in places in this book where he brushes against being a Stalker, it is only Lisle’s deft writing of his character and how he interacts with and thinks of Kait that steers this story thread away from a toxic interpretation. You can absolutely see the unhealthy patterning around relationships that seems to be almost a defining trait within the Sabir Family, but Lisle is careful not to give that reasoning any permissability. I also really enjoyed Ry’s relationships with his friends, their camraderie is believable and made me smile many times. I could actively believe in them standing with him despite the dangerous and in some ways foolhardy courses of action he proposed to take.

The counterpoint to the ‘hero’ protagonists is the characters who are the villains. There are several ways in which individual character’s roles change throughout the story but some of the true villains are easy to pick from the very beginning. You’re given an introduction to certain characters that very easily identifies them as ‘evil’, not through convenience but believably through the character actions and justifications for their actions. Some of the other villain characters were more ambiguous in their presentation, though there was always a sense of being wary of them. It makes you think… but not too hard about it. 

I won’t say much about the story itself, but as a ‘quest story’ it is interesting and both familiar (tropes are like that) but also engaged with interestingly, at no point was I bored by the procession of the story. The story itself is intricately linked with sorcery and the system of magic and religion is believable and not so all powerful as to be irritating. I particularly like the way the notion of consequences for actions are engaged with. The decision to keep one’s ‘Word’ or not, the fact that in asking for help from a God one forgot to ask for a clear sign of support. Little things that just really allow me to relax and enjoy the story.

One favourite aspect I really enjoyed was the emphasis on Love as the underpinning of  Peace in the wake of the Wizard War that events in the story herald. 

If you’re someone who enjoys the epic fantasy style of book, enjoy magic and political intrigue with a side of shape shifter magic and romance, I recommend this book (and the trilogy) to you. I’ll be interested in thoughts from other people who’ve read the series about their impressions of it. 

Retro Fiction Review Series: “Queen City Jazz” by Kathleen Ann Goonan

Retro Fiction Review Series

 

“Queen City Jazz” (1998) by Kathleen Ann Goonan

Published by Voyager, London.

‘Queen City Jazz’ is an interesting book, it has a great premise with exploring a distopian future using a melding of giant bees and hive like ‘alive’ city networks and the post effects of a ‘nano war’ on the people surrounding and within one of those cities, ‘Cincinnati’ known as the ‘Queen City’. 

The protagonist Verity is the reason I read it all the way through. As a character, being young and quite ignorant of her history and with selective teaching of her history around her she has startling indpendence and the ability to act autonomously. Her choices are her own all the way through and she is clear about her reasoning for things throughout her journey. It is delightfully refreshing (still) to read a believable female character as the protagonist in a novel where it’s not playing too much up to tired tropes for female characters. 

For example, playing into the trope, Verity is ‘chosen’ for a particular destiny, but the way in which the author uses that trope interestingly and allows Verity to interpret for herself what being ‘chosen’ means. While there were romantic threads in the book it wasn’t a strong theme and the story was stronger for it.

On the less positive side of things, I didn’t really enjoy the ‘god/prophet’ thread. This thread involved the story of a middle aged male character who was responsible for early programming of the cities, him and his issues leaked through a little bit to strongly and made my teeth hurt a little. 

Overall I liked it and am glad I read it, but it was a bit of a slog to get through and I was committed to finishing it rather than really wanting to read it all the way through. My reasons for doing so, such as the interesting premise, the female protagonist and her story remaining central, her independence, resilience and autonomy reinforced the entire way through made it worthwhile. 

I’m really glad the book exists and that I read it. It is a solid science fiction novel and it pressed a lot of my reading desirability buttons gently, but without ever really hooking me. Still, that’s my experience of reading and your mileage may vary. 

 

New project! The Retro Fiction Review Series!

Let me tell you a little bit about this new project I’m taking on! I’m very excited 🙂

I have inherited a large number of rather interesting and awesome books from a dear friend of mine who is going ‘all ebooks all the way baby’ and as a result, I have benefited greatly. Many of these books are ones that I probably would have been delighted to be recommended from when I was a teen or in my early twenties, however, that didn’t happen and I’m hoping to go back and fill in a number of what I see are large gaps in my reading history. There are lots of female authors and stories of women and feminism and of cultural futures that I’m very interested to explore.

My project occurs out of my desire to record what I’m reading and what I enjoy about it. I’ve never really done this before and I think that if I can develop the skill my following uni and postgrad years will be eleventy-million times easier. 

Also, I suspect there’s plenty of people out there who are also interested in recommendations for books that are not brand new and just released, but part of the background of the immense number of books in genres like science fiction and fantasy (assume when I use this term that I mean the entire generous umbrella for books of this nature). There are *so many* book in fact, that someone talking about what they liked about it or didn’t like about it might just be useful. 

I’ll be talking about these books in terms of my first impressions and general overview discussing any relevant demographics – as in how  many authors in anthologies are non-white people or women, if there are any queer stories, stories of people with disabilities and so on. I’ll discuss the story and the characters, the world building and my personal experience of the book (or individual stories if it’s an anthology). It is also fairly likely that I’ll make some sort of critical commentary from my perspective as a (fledgeling) cultural analyst. 

So here we are, with the Retro Fiction Review Series, I’ll be your host Ju. Coming up next, a rather long review of the 1989 anthology “Cat Fantastic” edited by Andre Norton and Martin H. Greenberg. Then, a review of the 1994 “Queen City Jazz” by Kathleen Ann Goonan.