Author: Nalo Hopkinson
Publisher and Year: Tachyon Publications, 2015
Genre: Short fiction, single author collection, speculative fiction, literary fiction
Blurb from Goodreads:
Nalo Hopkinson (Brown Girl in the Ring, Skin Folk) has been widely hailed as a highly significant voice in Caribbean and American fiction. She has been dubbed “one of our most important writers,” (Junot Diaz), with “an imagination that most of us would kill for” (Los Angeles Times), and her work has been called “stunning,” (New York Times) “rich in voice, humor, and dazzling imagery” (Kirkus), and “simply triumphant” (Dorothy Allison).
Falling in Love with Hominids presents over a dozen years of Hopkinson’s new, uncollected fiction, much of which has been unavailable in print. Her singular, vivid tales, which mix the modern with Afro-Carribean folklore, are occupied by creatures unpredictable and strange: chickens that breathe fire, adults who eat children, and spirits that haunt shopping malls.
An eARC of this book was provided by the publisher via Netgalley in exchange for an honest review.
I was saying on Twitter as I finished this that some books are devoured in a single sitting, because you cannot bear to put them down. Some are savoured slowly because you never want it to end, you eke out every moment, every word. This sentiment is wholeheartedly true for ‘Falling in Love with Hominids’ as I wanted to savour every single moment and take in as much of each story as possible.
Nalo Hopkinson has been on my list of authors that I’ve been dying to read for quite a long time now, and her collection ‘Falling in Love with Hominids’ is a fantastic introduction to her work. This is an outstanding collection that really gives insight into her storytelling, her talent, the breadth and insight with which she rights. I loved the little snippets of commentary from Hopkinson at the beginning of each story, I always think these kind of tidbits add exponentially to the reading experience – particularly for short fiction. One of the features that is used throughout the collection and in some ways ties all the different stories together is the way that stories, mythology and memories, personal history are woven through the inspiration behind the story, or within the story itself. I love the use of the lyrics and poetry – rather than being disjointed and throwing me out of the story as such elements can often do, the way Hopkinson uses this technique is expert and draws you deeper, has you feeling the rhythm of the story in your blood as you read.
I highly recommend this anthology, reading this book was a pleasure and a privilege.
This is yet another anthology that convinces me that back when I thought I didn’t like short fiction all that much, actually I just wasn’t reading stuff that really called to me, thrilled me, drew me in and made me fall in love. Also, getting to read this is part of my fulfilling a desire to read more diverse fiction from non-white authors, particularly non-white women authors. If this is something that you’re doing or thinking of doing, this anthology is a great place to start.
I won’t review every story, we’d be here all day. However, I will highlight several I particularly enjoyed:
The Easthound: this story was creepy, suggestively prophetic about the kind of dystopian future we might be facing, I really liked the way the kids fear growing up, that growing up means becoming the monsters they fear and hide from.
Message in a Bottle: Oh this story! This was a gorgeous story – that horror of being trapped with an adult mind in the body of a child in order to achieve a future mission, coming back from the future. The character of Kamla really stayed with me well after I finished reading this story.
Left Foot, Right: This story haunted me – I had to keep reading and find a unicorn chaser after reading it as it just wouldn’t let me go! Tragedy, grief and recovery, the unreal and putting to right wrongs, this story is short, sharp and very poignant.
Emily Breakfast: I think this was one of my favourite stories from the anthology! I love that there was a chicken named Emily Breakfast and that the entire story revolves around a home, and a couple and their care for their chickens. I love the casual references to queerness and kink, without those ever being the point of the story. I also love that it’s quite obvious that the animals in this story are not quite as we might experience them in the real day-to-day world. I want a kitty with wings. *is emphatic*.
A Young Candy Daughter: There are always new ways to spin a story about Christmas, giving, having enough and of balance. This is I think one of my favourites of these kind of stories – and I have an abiding fondness for them. A small child, a little bit of magic, and Santas with vessels that begin to overflow for those who need them. Such a charming story.
Ours is the Prettiest: This was my other stand out favourite story in the anthology. I loved the characters wholeheartedly in this guise, with Hopkinson’s voice though I understand that the nature of the story is that there are a number of authors who’ve dabbled in Bordertown with its characters. I could have continued to read on and on about their lives and adventures, I was so compelled. The story was a delight and I felt it ended way too soon before I was fully sated.